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Passing in the works of Charles W. Chesnutt /

Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories--including intertextual, signifying/disco...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Wright, Susan Prothro, Glass, Ernestine Pickens
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, c2010.
Colección:Margaret Walker Alexander series in African American studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Passing in the works of Charles W. Chesnutt /  |c edited by Susan Prothro Wright and Ernestine Pickens Glass. 
260 |a Jackson :  |b University Press of Mississippi,  |c c2010. 
300 |a 1 online resource (xiii, 132 p.). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Margaret Walker Alexander series in African American studies 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Preface; Acknowledgments; Charles W. Chesnutt's Historical Imagination; Signifying the Other: Chesnutt's "Methods of Teaching"; On Flags and Fraternities: Lessons in History in Charles Chesnutt's "Po' Sandy"; Passing as Narrative and Textual Strategy in Charles Chesnutt's "The Passing of Grandison"; The Dream of History: Memory and the Unconscious in Charles Chesnutt's The House behind the Cedars; In the Wake of D.W. Griffith's: The Birth of a Nation Chesnutt's Paul Marchand, F.M.C. as Command Performance; Performing Race: Mixed-Race Characters in the Novels of Charles Chesnutt. 
520 |a Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories--including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks--to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it. 
546 |a English. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
600 1 0 |a Chesnutt, Charles W.  |q (Charles Waddell),  |d 1858-1932  |x Criticism and interpretation. 
600 1 7 |a Chesnutt, Charles W.  |q (Charles Waddell),  |d 1858-1932  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJhRywMFGYhhpvdTQR8cT3 
650 0 |a Passing (Identity) in literature. 
650 6 |a Passing (Identité) dans la littérature. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x African American.  |2 bisacsh 
650 7 |a Passing (Identity)  |2 fast 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Fiction  |2 fast 
700 1 |a Wright, Susan Prothro. 
700 1 |a Glass, Ernestine Pickens. 
776 0 8 |i Print version:  |t Passing in the works of Charles W. Chesnutt  |d Jackson : University Press of Mississippi, c2010.  |z 9781604734164 (cloth : alk. paper)  |w (DLC) 2009020701 
830 0 |a Margaret Walker Alexander series in African American studies. 
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