A Companion to Modern and Contemporary Latin American and Latina/o Art

With increased public and scientific attention driven by factors such as oil price spikes, the need for increased energy security, and concerns over greenhouse gas emissions from fossil fuels, the production of fuels by biological systems is becoming increasingly important as the world seeks to move...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anreus, Alejandro
Otros Autores: Greeley, Robin Adèle, Sullivan, Megan A., Arnold, Dana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : John Wiley & Sons, Incorporated, 2021.
Colección:Blackwell Companions to Art History Ser.
Temas:
Art, Latin American > 20th century.
Art, Latin American > 21st century.
Art latino-américain > 20e siècle.
Art latino-américain > 21e siècle.
Art, Latin American
Art
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Table of Contents
  • Series Page
  • Title Page
  • Copyright Page
  • List of Illustrations
  • About the Editors
  • Notes on Contributors
  • Series Editor's Preface
  • Introduction
  • References
  • Part I: 1910-1945
  • 1 Art After the Mexican Revolution
  • 1.1 Introduction
  • 1.2 Mural Painting
  • 1.3 Prints
  • 1.4 Photography
  • 1.5 Conclusion
  • References
  • 2 The Reinvention of the "Semana de Arte Moderna"
  • 2.1 1922
  • 2.2 1932
  • 2.3 1942
  • 2.4 1952 and After
  • References
  • 3 José Carlos Mariátegui and the Eternal Dawn of Revolution
  • 3.1 Epoch and Revolution
  • 3.2 Socialism, Indigenism, and the Nation
  • 3.3 Conclusion: Mariátegui, His Times and Beyond
  • References
  • 4 National Values
  • References
  • 5 Photography, Avant-Garde, and Modernity
  • 5.1 A Violent and Expansive Medium
  • 5.2 The Gender of Modernity9
  • 5.3 Picturing Other, Picturing Self
  • 5.4 Errant Europe
  • References
  • Further Reading
  • Part II: 1945-1959
  • 6 Wifredo Lam, Aimé Césaire, Eugenio Granell, André Breton
  • References
  • 7 The Oscillation Between Myth and Criticism
  • 7.1 The Ancient Modern (1950)
  • 7.2 Mexican But Universal
  • 7.3 Duchamp and Analogy: The Criticism of Things
  • References
  • 8 Latin American Abstraction (1934-1969)
  • 8.1 Uruguay, 1935-1938
  • 8.2 Argentina, 1945-1949
  • 8.3 Argentina, 1955
  • Brazil, 1949-1957
  • 8.4 Venezuela, 1955-1968
  • 8.5 Venezuela, 1969
  • Brazil, 1959-1967
  • References
  • 9 Architectural Modernism and Its Discontents
  • 9.1 Modern Tropicality: The Brazilian Pavilion in New York, 1939-1940
  • 9.2 Back to the South: Cities, Politics, and Nature
  • References
  • Further Reading
  • 10 The Realism-Abstraction Debate in Latin America
  • 10.1 The Question of the People
  • 10.2 The Question of Autonomy
  • 10.3 The Question of Efficacy
  • 10.4 The Question of the Individual
  • 10.5 Conclusion
  • References
  • 11 São Paulo and Other Models
  • 11.1 São Paulo, 1951: In the Mold of Venice?
  • 11.2 The BSP and Latin America
  • 11.3 From São Paulo to Havana via Medellín
  • 11.4 Conclusion: Forever an Artistic Center That Is Everywhere Known
  • References
  • Part III: 1959-1973
  • 12 Art and the Cuban Revolution
  • 12.1 Introduction
  • 12.2 The 1950s
  • 12.3 An Early Conflict
  • 12.4 Marxisms
  • 12.5 A Brief Utopic Moment
  • 12.6 Three Case Studies
  • 12.7 Conclusion

Ejemplares similares