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211113s2021 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
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|d OCLCO
|d OCLCL
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|a 1283855323
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|a 9781118475393
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|a 1118475399
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|a AU@
|b 000076032260
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|a (OCoLC)1285170313
|z (OCoLC)1283855323
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|a N6502.5
|b .C667 2021
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|a 709.8/0904
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|a UAMI
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100 |
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|a Anreus, Alejandro.
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|a A Companion to Modern and Contemporary Latin American and Latina/o Art
|h [electronic resource].
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260 |
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|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2021.
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300 |
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|a 1 online resource (724 p.).
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490 |
1 |
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|a Blackwell Companions to Art History Ser.
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500 |
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|a Description based upon print version of record.
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|a Intro -- Table of Contents -- Series Page -- Title Page -- Copyright Page -- List of Illustrations -- About the Editors -- Notes on Contributors -- Series Editor's Preface -- Introduction -- References -- Part I: 1910-1945 -- 1 Art After the Mexican Revolution -- 1.1 Introduction -- 1.2 Mural Painting -- 1.3 Prints -- 1.4 Photography -- 1.5 Conclusion -- References -- 2 The Reinvention of the "Semana de Arte Moderna" -- 2.1 1922 -- 2.2 1932 -- 2.3 1942 -- 2.4 1952 and After -- References -- 3 José Carlos Mariátegui and the Eternal Dawn of Revolution -- 3.1 Epoch and Revolution
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|a 3.2 Socialism, Indigenism, and the Nation -- 3.3 Conclusion: Mariátegui, His Times and Beyond -- References -- 4 National Values -- References -- 5 Photography, Avant-Garde, and Modernity -- 5.1 A Violent and Expansive Medium -- 5.2 The Gender of Modernity9 -- 5.3 Picturing Other, Picturing Self -- 5.4 Errant Europe -- References -- Further Reading -- Part II: 1945-1959 -- 6 Wifredo Lam, Aimé Césaire, Eugenio Granell, André Breton -- References -- 7 The Oscillation Between Myth and Criticism -- 7.1 The Ancient Modern (1950) -- 7.2 Mexican But Universal
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|a 7.3 Duchamp and Analogy: The Criticism of Things -- References -- 8 Latin American Abstraction (1934-1969) -- 8.1 Uruguay, 1935-1938 -- 8.2 Argentina, 1945-1949 -- 8.3 Argentina, 1955 -- Brazil, 1949-1957 -- 8.4 Venezuela, 1955-1968 -- 8.5 Venezuela, 1969 -- Brazil, 1959-1967 -- References -- 9 Architectural Modernism and Its Discontents -- 9.1 Modern Tropicality: The Brazilian Pavilion in New York, 1939-1940 -- 9.2 Back to the South: Cities, Politics, and Nature -- References -- Further Reading -- 10 The Realism-Abstraction Debate in Latin America -- 10.1 The Question of the People
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|a 10.2 The Question of Autonomy -- 10.3 The Question of Efficacy -- 10.4 The Question of the Individual -- 10.5 Conclusion -- References -- 11 São Paulo and Other Models -- 11.1 São Paulo, 1951: In the Mold of Venice? -- 11.2 The BSP and Latin America -- 11.3 From São Paulo to Havana via Medellín -- 11.4 Conclusion: Forever an Artistic Center That Is Everywhere Known -- References -- Part III: 1959-1973 -- 12 Art and the Cuban Revolution -- 12.1 Introduction -- 12.2 The 1950s -- 12.3 An Early Conflict -- 12.4 Marxisms -- 12.5 A Brief Utopic Moment -- 12.6 Three Case Studies -- 12.7 Conclusion
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|a References -- 13 The Myths of Hélio Oiticica -- References -- 14 Between Chaos and the Furnaces -- 14.1 Figuration, Destruction, and the Image -- 14.2 Ghost Messages -- 14.3 An Art of Signifieds -- 14.4 Systems and New Images -- References -- 15 Chicana/o Art -- 15.1 Introduction -- 15.2 Al principio ... -- 15.3 Chicano Art in the Community -- 15.4 Conclusion -- References -- 16 Cold War Intellectual Networks -- 16.1 Introduction -- 16.2 Southern Networks -- 16.3 Inter-American Networks -- 16.4 Resisting Networks -- 16.5 Conclusion -- References -- Further Reading.
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|a 17 José Gómez Sicre and the Inter-American Exhibitions of the Pan American Union.
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|a With increased public and scientific attention driven by factors such as oil price spikes, the need for increased energy security, and concerns over greenhouse gas emissions from fossil fuels, the production of fuels by biological systems is becoming increasingly important as the world seeks to move towards renewable, sustainable energy sources. Biofuels and Bioenergy presents a broad, wide-ranging and informative treatment of biofuels. The book covers historical, economic, industrial, sociological and ecological/environmental perspectives as well as dealing with all the major scientific issues associated with this important topic. With contributions from a range of leading experts covering key aspects, including: - Conventional biofuels.- Basic biology, biochemistry and chemistry of different types and classes of biofuel.- Current research in synthetic biology and GM in the development and exploitation of new biofuel sources.- Aspects relating to ecology and land use, including the fuel v food dilemma.- Sustainability of different types of biofuel.- Ethical aspects of biofuel production. Biofuels and Bioenergy provides students and researchers in biology, chemistry, biochemistry and chemical engineering with an accessible review of this increasingly important subject.
|c -- Provided by publisher.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Art, Latin American
|y 20th century.
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650 |
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0 |
|a Art, Latin American
|y 21st century.
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650 |
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6 |
|a Art latino-américain
|y 20e siècle.
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650 |
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6 |
|a Art latino-américain
|y 21e siècle.
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653 |
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|a Art, Latin American
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653 |
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|a Art
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700 |
1 |
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|a Greeley, Robin Adèle.
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700 |
1 |
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|a Sullivan, Megan A.
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700 |
1 |
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|a Arnold, Dana.
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758 |
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|i has work:
|a A companion to modern and contemporary Latin American and Latina/o art (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFCF7dYt68bbhwPYvVTpMX
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Anreus, Alejandro
|t A Companion to Modern and Contemporary Latin American and Latina/o Art
|d Newark : John Wiley & Sons, Incorporated,c2021
|z 9781118475416
|
830 |
|
0 |
|a Blackwell Companions to Art History Ser.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6795947
|z Texto completo
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938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL6795947
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994 |
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|a 92
|b IZTAP
|