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Giving the Past a Future

This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Sweden. A feast of scholarly contributions pay respect to and acknowledge Gerhard's achievements in the fields of rock art documentation,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dodd, James
Otros Autores: Meijer, Ellen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Archaeopress, 2018.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Copyright Information
  • Contents
  • Editors Preface
  • Tabula Gratulatoria
  • Chapter 1
  • Art, Artists, Rock Art and Underslös
  • James Dodd
  • Chapter 2
  • The Sensitive Finger, The Observing Eye And The Sensation Of A Place
  • Jarl Nordbladh
  • Chapter 3
  • To Let Mute Stones Speak
  • on the Becoming of Archaeology
  • Joachim Goldhahn
  • Chapter 4
  • The Chariot of The Sun and other sun horses of The Nordic Bronze Age
  • including some interesting anatomical details
  • Flemming Kaul
  • Chapter 5
  • The winged triad in Bronze Age symbolism: birds and their feet
  • Kristian Kristiansen
  • Chapter 6
  • Gerhard and the rock carvings of Bornholm
  • Finn Ole Sonne Nielsen
  • Chapter 7
  • Rock Art and Burial Landscapes
  • Danish Rock Art in Burial Mounds
  • Louise Felding
  • Chapter 8
  • A sea beyond Europe to the north and west
  • Johan Ling & John Koch
  • Chapter 9
  • The Wild Boar in Scandinavian Rock Art
  • Peter Skoglund
  • Chapter 10
  • Women on the move in the Nordic Bronze Age: a case study based on rock art and costume
  • Sophie Bergerbrant and Anna Wessman
  • Chapter 11
  • Fleshing out the Stickman: A Hypothesis about the Long-Legged Anthropomorphs in Scandinavian Rock Art
  • Lisa-Elen Meyering
  • Chapter 12
  • The cunning of the fox
  • a case of zoomorphism in Scandinavian rock art
  • Christian Horn
  • Chapter 13
  • The duel in place: morphological, structural and spatial variability of a basic scene among Valcamonica Iron Age rock art
  • Alberto Marretta
  • Chapter 14
  • Symbolic Concordance: a transparent approach to archetype
  • Umberto Sansoni
  • Chapter 15
  • Rock Carvings at Stuberg in Stjørdal, Trøndelag, Norway
  • Kalle Sognnes
  • Chapter 16
  • "On the beaten track": considerations on the rock art at Foss in the Gauldal Valley, Trøndelag County, Norway
  • Kjell André Brevik
  • Chapter 17
  • What we see is what we get
  • Seeing Sandhalsan with new «eyes»
  • Jan Magne Gjerde & Heidrun Stebergløkken
  • Chapter 18
  • Giants Cauldrons and Rock Art
  • Magnus Tangen
  • Chapter 19
  • Snowshoes and skis in North European rock art.
  • Knut Helskog
  • Chapter 20
  • Following the bear through the rocks
  • Elena Man-Estier
  • Chapter 21
  • Back to life: British rock art in the Iron Age
  • Tertia Barnett
  • Chapter 22
  • World heritage rock art documentation in Tanum
  • a brief history of methodology and projects until the early 2000s.
  • Ulf Bertilsson, SHFA
  • Chapter 23
  • Bevar dialogen med klippen.
  • Dokumentationens betydning for fortidens helleristninger og fremtidens forskning.
  • Ditte E. P. Kofod
  • Chapter 24
  • Towards a new era of rock art documentation
  • Ellen Meijer & James Dodd
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