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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zell, Michael
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2021.
Colección:Amsterdam Studies in the Dutch Golden Age Ser.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Zell, Michael. 
245 1 0 |a Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art  |h [electronic resource]. 
260 |a Amsterdam :  |b Amsterdam University Press,  |c 2021. 
300 |a 1 online resource (510 p.). 
490 1 |a Amsterdam Studies in the Dutch Golden Age Ser. 
500 |a Description based upon print version of record. 
505 0 |a Cover -- Table of Contents -- Acknowledgments -- Introduction -- 1. The Gift and Art in Early Modernity -- 2. Art as Gift in the Dutch Republic -- 3. Rembrandt's Art as Gift -- 4. Art and Leisure: Amateur Artists,Rembrandt, and Landscape Representation -- 5. For the Love of Art: Vermeer and thePoetics of the Gift -- Conclusion -- Bibliography -- Index -- Illustrations -- 1. Salvator Rosa, Heroic Battle, 1652-1664. Oil on canvas, 241 × 351 cm. Musée du Louvre, Paris. Photo: Louvre, Paris / Bridgeman Images. 
505 8 |a 2. Titian, Pardo Venus (Jupiter and Antiope), 1551. Oil on canvas. 196 × 385 cm. Musée du Louvre, Paris. Photo: Louvre, Paris / Bridgeman Images. -- 3. Titian, Charles V with a Dog, 1533. Oil on canvas, 192 × 111 cm. Museo Nacional del Prado, Madrid. Photo: Prado, Madrid / Bridgeman Images. -- 4. Giambologna, Samson Slaying a Philistine, ca. 1562. Marble, 209.9 cm high. Victoria and Albert Museum, London. Photo: V & A Images, London / Art Resource, ny. 
505 8 |a 5. Woven by Jan Raes I after designs by Peter Paul Rubens, The Triumph of the Eucharist, ca. 1625-1633. Wool and silk, 490 × 750 cm. Monasterio de las Descalzas, Madrid. Photo: Monasterio de las Descalzas, Madrid / Bridgeman Images. -- 6. Peter Paul Rubens, Minerva Protects Pax from Mars (Peace and War), 1629-1630. Oil on canvas, 203.6 × 298 cm. National Gallery, London. Photo: National Gallery, London / Bridgeman Images. -- 7. Ludovico Cigoli, Ecce Homo, 1607. Oil on canvas, 175 × 135 cm. Palazzo Pitti, Florence. Photo: Palazzo Pitti, Florence / Bridgeman Images. 
505 8 |a 8. Michiel van Mierevelt, Dudley Carleton, Viscount Dorchester, ca. 1620. Oil on panel. 63. 5 × 50.2 cm. National Portrait Gallery, London. Photo: National Portrait Gallery, London / Art Resource, ny. -- 9. Peter Paul Rubens. Daniel in the Lions' Den, ca. 1614-1616. Oil on canvas, 224.2 × 330.5 cm. National Gallery of Art, Washington, D.C. Photo: Courtesy National Gallery of Art, Washington. 
505 8 |a 10. Rembrandt van Rijn (?), Portrait of the Artist as a Young Man (Self-Portrait), 1629-1631. Oil on canvas, 69.7 × 57 cm. Walker Art Gallery, National Museums Liverpool. Photo: Walker Art Gallery, National Museums Liverpool / Bridgeman Images. -- 11. Jan Lievens, An Old Woman Called 'The Artist's Mother', ca. 1627-1629. Oil on panel, 61.3 × 47.4 cm. Royal Collection, London. Photo: Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020. 
500 |a 12. Jan Lievens, Sir Robert Kerr, 1st Earl of Ancrum, 1654. Oil on canvas, 62.2 × 51.4 cm. National Galleries of Scotland. Accepted by HM Government in Lieu of Inheritance Tax and Allocated to the Scottish National Portrait Gallery, 2010. 
520 |a This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
600 0 0 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669. 
600 1 0 |a Vermeer, Johannes,  |d 1632-1675. 
600 0 7 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669  |2 fast 
600 1 7 |a Vermeer, Johannes,  |d 1632-1675  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJwxMHMfPWy7jf998RJhpP 
650 0 |a Art, Dutch  |y 17th century. 
650 0 |a Gifts  |x Social aspects  |z Netherlands  |y 17th century. 
650 6 |a Art néerlandais  |y 17e siècle. 
650 6 |a Cadeaux  |x Aspect social  |z Pays-Bas  |y 17e siècle. 
650 7 |a History of art and design styles: c 1400 to c 1600.  |2 bicssc 
650 7 |a Early modern history: c 1450/1500 to c 1700.  |2 bicssc 
650 7 |a ART / History / Renaissance.  |2 bisacsh 
650 7 |a HISTORY / Europe / Western.  |2 bisacsh 
650 7 |a HISTORY / Modern / 17th Century.  |2 bisacsh 
650 7 |a Art, Dutch  |2 fast 
650 7 |a Gifts  |x Social aspects  |2 fast 
651 7 |a Netherlands  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJk4D96j3YTHJQfHCV3vpP 
648 7 |a 1600-1699  |2 fast 
653 |a Rembrandt, Vermeer, the Gift, Amateur Artists, Dutch Art, Golden Age. 
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776 0 8 |i Print version:  |a Zell, Michael  |t Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art  |d Amsterdam : Amsterdam University Press,c2021 
830 0 |a Amsterdam Studies in the Dutch Golden Age Ser. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6724650  |z Texto completo 
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