3D Delineation

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How can 3D models be integrated more fully alongside other forms of archaeological documentation? This work presents a method that combines the interpretative power of traditional archaeological drawings and the realistic visualisation capacity of 3D digital models.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kimball, Justin J. L.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Archaeopress, 2016.
Temas:
Three-dimensional imaging in archaeology.
Archaeology > Computer simulation.
Imagerie tridimensionnelle en archéologie.
Archéologie > Simulation par ordinateur.
Archaeology > Computer simulation
Three-dimensional imaging in archaeology
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Copyright Information
  • Contents
  • Abstract
  • Preface
  • 1
  • Introduction
  • 2
  • State of the Art
  • FIGURE 1
  • A drawing detailing the various line types as established by the Museum of London Archaeology for use in the single context method of archaeological drawing. (Redrawn by J.J.L. Kimball 2014, symbology established by Museum of London Archaeology
  • FIGURE 2
  • An example of early archaeological photography
  • pictured is the apex of the excavation of the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014).
  • FIGURE 3
  • Another example of early archaeological photography
  • pictured are the excavators and archaeologists, in the background the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014).
  • 3
  • Theory
  • 4
  • Methodology
  • 4.1
  • Review of Established Methodologies and Associated Technologies
  • 4.2
  • Introduction to Utilised Technologies
  • 4.2.1
  • Camera Systems
  • 4.2.2
  • Adobe Photoshop Lightroom 5.4
  • 4.2.3
  • Agisoft's Photoscan 1.0.4
  • 4.2.4
  • EDM Total Station
  • 4.2.5
  • ArcGIS 10.2.1
  • 4.3
  • Limitations
  • FIGURE 4
  • A visual depiction of the pipeline of technologies used in this work's experiment. Included in the above list are the following: (A) the physical archaeological object
  • (B) digital SLR camera
  • (C) control points for geospatial recording
  • (D) RA
  • FIGURE 5
  • (Screen-captures of a 3D model) Steps in MSR production with Photoscan
  • (top) estimation of internal camera parameters and camera projections
  • (left) dense-point cloud
  • (right) mesh. (Image by J.J.L. Kimball 2014
  • 3D model by J.J.L. Kimball 201
  • FIGURE 6
  • (Screen-capture of a 3D Model) The final stage of MSR-a photorealistic 3D model of the runestone DR 330 "Gårdstångastenen 2" located in Lund, Sweden. (Image by J.J.L. Kimball 2014
  • 3D model by J.J.L. Kimball 2014).
  • 5
  • Experiment: 3D Delineation
  • 5.1
  • General Background of Uppåkra
  • 5.2
  • Documentation Methodology at Uppåkra since 2011
  • 5.3
  • State of the Art: 3D Modelling at Uppåkra
  • 5.4
  • Experiment Overview
  • 5.5
  • Experiment Methodology
  • 5.6
  • Results Concerning 3D Archaeological Drawings
  • (Photograph © J.J.L. Kimball 2013).
  • FIGURE 7
  • A photograph looking southward over top of several of the 2013 excavation trenches.
  • FIGURE 8
  • A photograph from one of the acquisition campaigns around Trench 5
  • note the markers along the edges of the trench. (Photograph © J.J.L. Kimball 2013).
  • FIGURE 9
  • (Screen-capture) The 3D models located within their proper geospatial locations within ArcScene. (Image by J.J.L. Kimball 2014
  • 3D models and GIS implementation by N. Dell'Unto and the Department of Archaeology and Ancient History, Lund Univers
  • (Image by J.J.L. Kimball 2014).
  • FIGURE 10
  • A short example of some of the database fields and values during the input stage.

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