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A Painted Ridge
This book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Summertown :
Archaeopress,
2019.
|
| Colección: | Cambridge Monographs in African Archaeology Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | EBOOKCENTRAL_on1273973651 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 211009s2019 xx o ||| 0 eng d | ||
| 040 | |a EBLCP |b eng |c EBLCP |d EBLCP |d REDDC |d OCLCF |d OCLCQ |d OCLCO |d OCLCQ |d OCLCL | ||
| 019 | |a 1272996426 |a 1276853807 | ||
| 020 | |a 9781789692457 | ||
| 020 | |a 1789692458 | ||
| 035 | |a (OCoLC)1273973651 |z (OCoLC)1272996426 |z (OCoLC)1276853807 | ||
| 050 | 4 | |a GN865.S5 |b .W584 2019 | |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Witelson, David Mendel. | |
| 245 | 1 | 2 | |a A Painted Ridge |h [electronic resource]. |
| 260 | |a Summertown : |b Archaeopress, |c 2019. | ||
| 300 | |a 1 online resource (164 p.). | ||
| 490 | 1 | |a Cambridge Monographs in African Archaeology Ser. ; |v v.98 | |
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Intro -- ABSTRACT -- ACKNOWLEDGEMENTS -- CONTENTS -- LIST OF FIGURES -- PREFACE -- CHAPTER 1: A PAINTED RIDGE -- The problem with 'sites' -- An overview of previous Maclear District rock art research -- Ethnographic analogy and San performance -- Documenting the MR sites -- Recording MR rock art -- Digital enhancements -- Enhancing the MEL ridge -- From observations to theory -- CHAPTER 2: PERFORMANCE THEORY -- Performance Studies and South African rock art research -- Performance Studies -- Performance -- Ritual -- Performativity -- The ethnography of performance -- A Kaluli séance | |
| 505 | 8 | |a San expressive culture and performances -- From theory to ethnography -- CHAPTER 3: DANCING AND PAINTING-A PERFORMATIVE DYAD? -- Trancing with friends, dancing with death -- Interactions during a trance dance -- The dancers and the women who clap and sing -- Dancers, participants, and the dance fire -- N|om seekers and masters -- Masters and other masters -- Dancers and spirits-of-the-dead -- Special curing ceremonies -- From dancing to painting -- CHAPTER 4: BEHIND THE SCENES -- The process behind image-making -- The four stages -- Acquisition of imagery -- Manufacture of paint | |
| 505 | 8 | |a Making rock paintings -- Using rock paintings -- From ritual process to interactive images -- CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS -- Interactions between image-makers and the rock face -- Depressions and containment -- Cracks, steps and edges -- Idiosyncratic uses of the rock face -- From simple interaction to complex interactions -- Interactions between image-makers and images on the rock face -- Interactions between image-makers and animals -- Interactions between image-makers and spirits-of-the-dead -- Interactions between the viewers and the images -- Summary | |
| 505 | 8 | |a CHAPTER 6: SHELTERED PERFORMANCES -- The criteria for image-making performances -- Who actually made the images? -- The ritual of image-making performances -- Reality, non-reality and the social construction of reality -- Image-makers and failure -- Summary -- CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES -- Limitations -- Insights from performance theory and future directions -- APPENDICES -- APPENDIX A: SITE MEASUREMENTS -- APPENDIX B: SCHEMATIC DIAGRAMS -- APPENDIX C: IMAGE COUNTS -- APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES -- PROCEDURE 1 -- PROCEDURE 2 -- References | |
| 520 | |a This book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Rock paintings |z South Africa |z Maclear. | |
| 650 | 0 | |a San (African people) |x Antiquities. | |
| 650 | 7 | |a Rock paintings |2 fast | |
| 650 | 7 | |a San (African people) |x Antiquities |2 fast | |
| 651 | 7 | |a South Africa |z Maclear |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJx8GhHDVP866BM8MHPfbd | |
| 758 | |i has work: |a A Painted Ridge (Text) |1 https://id.oclc.org/worldcat/entity/E39PCYTJQJrtt733VbwBCtpRH3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Witelson, David Mendel |t A Painted Ridge: Rock Art and Performance in the Maclear District, Eastern Cape Province, South Africa |d Summertown : Archaeopress,c2019 |
| 830 | 0 | |a Cambridge Monographs in African Archaeology Ser. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6728898 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6728898 | ||
| 994 | |a 92 |b IZTAP | ||