Literary performances of post-religious memory in the Netherlands : Gerard Reve, Jan Wolkers, Maarten 't Hart /
"This book offers an in-depth study of iconic literary narratives and images of religious transformation and secularisation in the Netherlands during the 1960s and 1970s. Jesseka Batteau shows how Gerard Reve, Jan Wolkers and Maarten 't Hart texts and performances can be understood as inst...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Leiden ; Boston :
Brill,
[2022]
|
Colección: | Mobilizing memories,
volume 2 |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Acknowledgements
- Illustrations
- Introduction
- 1. Cultural Memory, the Author and Post-Religious Identity
- 1 Cultural Memory: A Constructivist Definition
- 2 Performing Memory: Embodiment, Repertoire and the Scenario
- 3 Literature and Memory: Mediations, Mimesis and Rhetoric
- 3.1 Representing Memory in Literature: Rhetoric and Techniques
- 4 The Author as Figure of Memory
- 5 Autobiographical Interpretation
- 6 (Post-)Religious Memory
- 2. Cultural and Religious Transformations in the Netherlands
- 1 Secularisation and Religious Transformation
- 1.1 Religious and Ideological Communities before 1960
- 1.2 Seculariation and Religious Transformation after 1960
- 1.3 Transformation and Modernisation within the Churches
- 1.4 Sexuality as Index of Secularisation in the Netherlands
- 2 Mass Media, Religion and 'The Sixties'
- 2.1 Images and Narratives of Secularisation/Religious Transformation
- 2.2 'The Sixties' as Extended Media Event
- 2.3 The Provo's: 1965-1967
- 3 Shifting Parameters in the Literary Domain
- 3.1 Literature and Authorship before 1960
- 3.2 Authorship after 1960
- 3.3 Approach
- 3. (Dis)playing the Roman Catholic Tradition: Gerard Reve
- 1 Introduction
- 2 First Hints of Reve's Religiosity (1947-1962)
- 2.1 Reve's Debut and the 'Apotheosis'
- 2.2 First Mention of Reve's Religiosity: 'Ja, ik ben een christen'
- 3 Literary Confession and the Appropriation of Religious Discourse (1963-1966)
- 3.1 First Volume of Letters: Op weg naar het einde (1963)
- 3.2 Literary Confession and a New Genre
- 3.3 'Poetic Shock': Appropriating Religious Discourse
- 3.4 Television Interview: Performing Confession
- 3.5 Senator Algra's Complaints in the Senate
- 3.6 'Vertical Dialogism' at Work: The 'Donkey-Controversy' and Nader tot U (1966)
- 3.7 Poetic Intensification of the Dialogical
- 4 The Staging of the (Post-)Religious (1966-1969)
- 4.1 Reve's Conversion
- 4.2 The Blasphemy Trial as an Enactment of Religious Transformation
- 4.3 Theatricality and Reve's 'Consecration' in the Allerheiligste Hart-Church
- 4.4 'Fag-Church': Public Responses to the 'New Church-Service'
- 5 Restagings (1970-2006)
- 5.1 Exhaustion of the Provocative Function
- 5.2 Reve as Figure of Memory
- 5.3 The Death of an Icon
- 5.4 Conclusion
- 4. Processing the Protestant Past: Jan Wolkers
- 1 Introduction
- 2 Autobiographical Framing, Affect and the Protestant Past (1963)
- 2.1 First Encounters with Wolkers' Protestant Past
- 2.2 Confessional Prose and 'afrekening': Representing a Post-Religious Generation
- 2.3 The Bible and Two Modes of Remembrance
- 2.4 Memorable Reading I: Mutilation, Death and Decay
- 2.5 Memorable Reading II: Sex
- 3 Wolkers' Authorial Persona in Interviews (1963-1964)
- 3.1 Authorial Confirmation of the Autobiographical
- 3.2 Gerard Reve versus Jan Wolkers.