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Portrait cultures of the early modern Cardinal /
The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented ind...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
|
| Colección: | Visual and material culture, 1300-1700.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 704.9482 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Portrait cultures of the early modern Cardinal / |c edited by Piers Baker-Bates and Irene Brooke. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
| 300 | |a 1 online resource (392 pages : |b illustrations (chiefly color)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Visual and Material Culture, 1300-1700 | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position. | |
| 505 | 0 | |a Cover -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction -- Cardinals and their Images -- 1. Portraying the Princes of the Church -- Piers Baker-Bates and Irene Brooke -- 2. The Early Modern Cardinal -- An Historical Appraisal -- Miles Pattenden -- Part I. Individuality and Identity -- Florence and Rome -- 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence -- Brian Jeffrey Maxson -- 4. Dead Ringers -- Carol M. Richardson -- Part II. Divided Loyalties -- Venice and Rome -- 5. The Role of Cardinals' Portraits in Venice -- Sarah Ferrari | |
| 505 | 8 | |a 6. Role Playing -- Alessandra Pattanaro -- Part III. Collecting and Display -- Portraits and Worldly Goods -- 7. Renaissance Cardinals and Pontifical Mules -- Philippa Jackson -- 8. Portraits as Symbols -- Thomas-Leo True -- 9. Portraits as a Sign of Possession -- Arnold Witte -- Part IV. Post-Tridentine Piety -- The Devout Cardinal -- 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent -- Irene Brooke -- 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions -- Danielle Carrabino | |
| 505 | 8 | |a 12. Miracle-Working Portraits of a Cardinal Saint -- Minou Schraven -- Conclusion -- Cardinal Portraits beyond Italy -- 13. Portraying the Ideal Spanish Tridentine Prelate -- Piers Baker-Bates -- Index -- Illustrations -- Colour plates -- Plate 1 Bastiano di Niccolò, Matteo and Bartolomeo Torelli, historiated initial and border with AngeloAcciaiuoli's portrait from the cardinal's missal, 1402-1405, MS. 30, Cambridge, The Fitzwilliam Museum(© The Fitzwilliam Museum, Cambridge). | |
| 505 | 8 | |a Plate 2 Titian, Cardinal Pietro Bembo, c. 1540, oil on canvas, Washington, DC, The National Gallery of Art (©National Gallery of Art, Washington). -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). Plate 4 -- Plate 3 Unknown artist (Palma il Giovane?), Double Portrait of Cardinals Domenico and Marino Grimani, latesixteenth century, oil on canvas, Venice, Gallerie dell'Accademia (© Gallerie dell'Accademia di Venezia). | |
| 505 | 8 | |a Plate 4 Raphael, Meeting of Leo I with Attila, 1514, fresco, Vatican City, Musei Vaticani (© Scala). -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). Plate 6 -- Plate 5 Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, oil on canvas, Venice, Santi Giovanni e Paolo, Sacristy (© Venice, Fondazione Giorgio Cini-Matteo de Fina). | |
| 500 | |a Plate 6 Detail of Leandro Bassano, Honorius III Approving the Rule of St. Dominic in 1216, 1607-1608, (© Venice, Fondazione Giorgio Cini-Matteo de Fina). | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 18, 2022). | |
| 546 | |a In English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Cardinals in art. | |
| 650 | 0 | |a Cardinals |x Portraits |x History and criticism. | |
| 650 | 0 | |a Christianity and art |x Catholic Church. | |
| 650 | 6 | |a Cardinaux |x Portraits |x Histoire et critique. | |
| 650 | 6 | |a Christianisme et art |x Église catholique. | |
| 650 | 7 | |a ART |x History |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a Cardinals in art |2 fast | |
| 650 | 7 | |a Christianity and art |x Catholic Church |2 fast | |
| 650 | 7 | |a History of art and design styles: c 1400 to c 1600. |2 bicssc | |
| 650 | 7 | |a Social and cultural history. |2 bicssc | |
| 653 | |a Cardinals, Early Modern, Portrait, Catholic Church, Portraiture. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Baker-Bates, Piers, |e editor. | |
| 700 | 1 | |a Brooke, Irene, |e editor. | |
| 758 | |i has work: |a Portrait Cultures of the Early Modern Cardinal (Text) |1 https://id.oclc.org/worldcat/entity/E39PCYvxgGXff76gXjtJVYvkfy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Baker-Bates, Piers. |t Portrait Cultures of the Early Modern Cardinal. |d Amsterdam : Amsterdam University Press, ©2021 |
| 830 | 0 | |a Visual and material culture, 1300-1700. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6708292 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9789048544561 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6708292 | ||
| 938 | |a EBSCOhost |b EBSC |n 3017090 | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048544561 | ||
| 994 | |a 92 |b IZTAP | ||