Sociocultural Identities in Music Therapy /

Sociocultural Identities in Music Therapy is a collection of personal narratives by 18 music therapists who engage in a critical culturally reflexive process and explore implications for their therapeutic practice. Amongst the authors, there is gender diversity, diversity of sexualities, racial dive...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hadley, Susan (Susan Joan), 1967- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Dallas, TX : Barcelona Publishers, 2021.
Temas:
Music therapy.
Group identity.
Music Therapy
Social Identification
Musicothérapie.
Identité collective.
group identity.
Group identity
Music therapy
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover Image
  • Title Page
  • Copyright & Permissions
  • Dedication
  • Acknowledgments
  • Contributors
  • Table of Contents
  • Introduction
  • Conceptual Origins and Theoretical Framing
  • Situating Myself: Embracing Complexities
  • What Lies Ahead
  • Chapter 1. Me: A Personal And Professional Necessity
  • Location of Self
  • Exploring Me Through a Culturally Sustaining Lens:
  • A Whole Lot of Black Backs Made Bridges
  • Embarking on an Intentional Practice of Critical Cultural Reflexivity
  • If Not a Culturally Sustaining Practice, Then What? Implications
  • Chapter 2. transfronterizx
  • Growing up in the borderlands
  • music in the borderlands
  • final thoughts
  • Chapter 3. "What Are You?" Finding Connection As A Brown, Male Music Therapist
  • Point of Entry
  • Values, Identity, and Signature Theme
  • A Brown, Male Music Therapist in an Inpatient Psychiatric Hospital
  • Summary and Implications for Music Therapists
  • Chapter 4. A Skeptic In The Land Of Music Therapy: Evaluating Evidence At The Beginnings Of Practice
  • Ethnomusictherapist
  • Only Americans Go to Therapy
  • Telling Fortunes
  • A Conversion Experience?
  • The Maligned, Wonderful Placebo
  • Chapter 5. Making A Detour: Paths For Diverse People To Live In Diverse Ways
  • Introduction
  • The Experiences Developing My Sociocultural Identities
  • Examples of Work in Which I Have Engaged
  • Ambiguous Ways to Communicate with People's Sociocultural Identities
  • Implications of Self-Reflection
  • Chapter 6. The Long Journey Toward Self-Acceptance: Living As A Queer Transgender Music Therapist
  • Growing Up
  • Values and Beliefs
  • Stereotypes and Microaggressions
  • Privilege
  • Fear and Internalized Transphobia
  • Theoretical Orientation
  • Clinical Work and Self-Disclosure
  • The Empowerment of Queer Youth
  • Intersectionality
  • Supporting Diversity Within the Music Therapy Field
  • Conclusion
  • Chapter 7. Caught Unaware: Honest Acknowledgments and Clinical Applications in an Ongoing Process: Kathryn Eberle Cotter
  • On the Tracks
  • My Identity Formation
  • My Foundational Values
  • Becoming Aware
  • Resisting Defensiveness and Acknowledging Bias
  • Learning and Unlearning
  • Receiving and Witnessing Truth
  • A Lifelong Endeavor
  • In Conclusion
  • Chapter 8. Comfortably "Unknowing": Maintaining Equilibrium as a Minority in a Minority Profession: Natasha Thomas
  • Paddle Like Hell
  • The Evolution of "Unknowing"
  • Engaging with the Cultural "Unknown"
  • "Unknowing" in Practice: Our Responsibility to Community
  • The Risks and Possibilities of Getting Comfortable with Unknowing
  • Chapter 9. Tabula Rasa = Tabú la Raza: My Not-So-Blank Slate: Sandra Ramos-Watt
  • In Summary
  • Chapter 10. Queering Karma and Cosmos: My Journey as an Indian American Music Therapist in the United States: Sangeeta Swamy
  • Early Beginnings4
  • Music Therapy and Identity
  • On Privilege
  • Conclusion

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