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Sociocultural Identities in Music Therapy /

Sociocultural Identities in Music Therapy is a collection of personal narratives by 18 music therapists who engage in a critical culturally reflexive process and explore implications for their therapeutic practice. Amongst the authors, there is gender diversity, diversity of sexualities, racial dive...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hadley, Susan (Susan Joan), 1967- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Dallas, TX : Barcelona Publishers, 2021.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover Image -- Title Page -- Copyright & Permissions -- Dedication -- Acknowledgments -- Contributors -- Table of Contents -- Introduction -- Conceptual Origins and Theoretical Framing -- Situating Myself: Embracing Complexities -- What Lies Ahead -- Chapter 1. Me: A Personal And Professional Necessity -- Location of Self -- Exploring Me Through a Culturally Sustaining Lens: -- A Whole Lot of Black Backs Made Bridges -- Embarking on an Intentional Practice of Critical Cultural Reflexivity -- If Not a Culturally Sustaining Practice, Then What? Implications -- Chapter 2. transfronterizx 
505 8 |a Growing up in the borderlands -- music in the borderlands -- final thoughts -- Chapter 3. "What Are You?" Finding Connection As A Brown, Male Music Therapist -- Point of Entry -- Values, Identity, and Signature Theme -- A Brown, Male Music Therapist in an Inpatient Psychiatric Hospital -- Summary and Implications for Music Therapists -- Chapter 4. A Skeptic In The Land Of Music Therapy: Evaluating Evidence At The Beginnings Of Practice -- Ethnomusictherapist -- Only Americans Go to Therapy -- Telling Fortunes -- A Conversion Experience? -- The Maligned, Wonderful Placebo 
505 8 |a Chapter 5. Making A Detour: Paths For Diverse People To Live In Diverse Ways -- Introduction -- The Experiences Developing My Sociocultural Identities -- Examples of Work in Which I Have Engaged -- Ambiguous Ways to Communicate with People's Sociocultural Identities -- Implications of Self-Reflection -- Chapter 6. The Long Journey Toward Self-Acceptance: Living As A Queer Transgender Music Therapist -- Growing Up -- Values and Beliefs -- Stereotypes and Microaggressions -- Privilege -- Fear and Internalized Transphobia -- Theoretical Orientation -- Clinical Work and Self-Disclosure 
505 8 |a The Empowerment of Queer Youth -- Intersectionality -- Supporting Diversity Within the Music Therapy Field -- Conclusion -- Chapter 7. Caught Unaware: Honest Acknowledgments and Clinical Applications in an Ongoing Process: Kathryn Eberle Cotter -- On the Tracks -- My Identity Formation -- My Foundational Values -- Becoming Aware -- Resisting Defensiveness and Acknowledging Bias -- Learning and Unlearning -- Receiving and Witnessing Truth -- A Lifelong Endeavor -- In Conclusion -- Chapter 8. Comfortably "Unknowing": Maintaining Equilibrium as a Minority in a Minority Profession: Natasha Thomas 
505 8 |a Paddle Like Hell -- The Evolution of "Unknowing" -- Engaging with the Cultural "Unknown" -- "Unknowing" in Practice: Our Responsibility to Community -- The Risks and Possibilities of Getting Comfortable with Unknowing -- Chapter 9. Tabula Rasa = Tabú la Raza: My Not-So-Blank Slate: Sandra Ramos-Watt -- In Summary -- Chapter 10. Queering Karma and Cosmos: My Journey as an Indian American Music Therapist in the United States: Sangeeta Swamy -- Early Beginnings4 -- Music Therapy and Identity -- On Privilege -- Conclusion 
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