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Funding bodies : five decades of dance making at the National Endowment for the Arts /
"A cultural and structural analysis of the NEA's dance funding from its inception through the early 2000s. Wilbur studies how people in power engineer and translate institutional norms of arts recognition within dance, performance, and arts policy disclosure"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown, Connecticut :
Wesleyan University Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1257314559 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
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| 008 | 210615s2021 ctua ob 001 0 eng | ||
| 010 | |a 2021024468 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d YDX |d EBLCP |d YDX |d NDD |d OCLCQ |d OCLCO | ||
| 020 | |a 9780819580535 |q electronic book | ||
| 020 | |a 0819580538 |q electronic book | ||
| 020 | |z 9780819580511 |q hardcover | ||
| 020 | |z 9780819580528 |q paperback | ||
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| 043 | |a n-us--- | ||
| 050 | 0 | 4 | |a GV1623 |b .W55 2021 |
| 082 | 0 | 0 | |a 792 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Wilbur, Sarah, |d 1974- |e author. | |
| 245 | 1 | 0 | |a Funding bodies : |b five decades of dance making at the National Endowment for the Arts / |c Sarah Wilbur. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c [2021] | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Institutions motivate movement -- Boom for whom? : engineering support for American concertdDance (1965-1980) -- Bureaucratic angling, institutional activism : dance's (c)overt "culture wars" (1981-1996) -- Disinvesting in dance : the NEA's neoliberal turn (1997-2016) -- Afterword : Does the NEA need saving? : endowment and collective repair -- Appendix A. NEA leadership rosters -- Appendix B. Project interlocutors. | |
| 520 | |a "A cultural and structural analysis of the NEA's dance funding from its inception through the early 2000s. Wilbur studies how people in power engineer and translate institutional norms of arts recognition within dance, performance, and arts policy disclosure"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on November 02, 2021). | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 610 | 2 | 0 | |a National Endowment for the Arts |x History. |
| 610 | 2 | 7 | |a National Endowment for the Arts |2 fast |
| 650 | 0 | |a Federal aid to dance |z United States |x History. | |
| 650 | 7 | |a Federal aid to dance |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Wilbur, Sarah, 1974- |t Funding bodies |d Middletown, CT : Wesleyan University Press, 2021 |z 9780819580511 |w (DLC) 2021024467 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=28871029 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL28871029 | ||
| 938 | |a YBP Library Services |b YANK |n 17674473 | ||
| 994 | |a 92 |b IZTAP | ||