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|a 791.4302/33092
|2 23
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|a UAMI
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245 |
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|a Hitchcock and adaptation :
|b on the page and screen /
|c Edited by Mark Osteen.
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264 |
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|a Lanham :
|b Rowman and Littlefield,
|c [2014]
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|a 1 online resource (xxxviii, 314 pages)
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|a text
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|a Includes filmography.
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|a Includes bibliographical references and index.
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|a Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author -- Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm -- Patrick Faubert: the role and presence of authorship in Suspicion -- Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation -- Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" -- Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train -- Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation -- Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|a This collection of essays examines the various Hitchcock films that were adapted from other sources (short stories, play, and novels). Some of these essays focus on the director's collaboration with such notable writers as John Steinbeck (Lifeboat), Thornton Wilder (Shadow of a Doubt), and Raymond Chandler (Strangers on a Train), proving not only that Hitchcock knew good writing when he read it, but that he was quite eager to exploit the cultural capital that these writers represented. Other essays discuss to what extent he was faithful (or not) to the source materials, his relationship with s.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
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|a Hitchcock, Alfred,
|d 1899-1980
|x Criticism and interpretation.
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600 |
1 |
7 |
|a Hitchcock, Alfred,
|d 1899-1980.
|2 fast
|0 (OCoLC)fst00032434
|1 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq
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650 |
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|a Film adaptations
|x History and criticism.
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650 |
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|a Adaptations cinématographiques
|x Histoire et critique.
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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7 |
|a Film adaptations.
|2 fast
|0 (OCoLC)fst00924250
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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700 |
1 |
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|a Osteen, Mark,
|e editor.
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758 |
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|i has work:
|a Hitchcock and adaptation (Text)
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|i Print version:
|t Hitchcock and adaptation
|d Lanham : Rowman & Littlefield, [2014]
|z 9781442230873 (cloth : alk. paper)
|w (DLC) 2013039264
|
856 |
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