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Out of the shadows : expanding the canon of classic film noir /

Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginningwith Stranger on the Third Floor in 1940. Howe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Phillips, Gene D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Scarecrow Press, Inc., c2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Phillips, Gene D. 
245 1 0 |a Out of the shadows :  |b expanding the canon of classic film noir /  |c Gene D. Phillips. 
260 |a Lanham :  |b Scarecrow Press, Inc.,  |c c2012. 
300 |a 1 online resource (xiii, 307 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (p. 287-294) and index. 
504 |a Includes filmography. 
505 0 |a Prologue: overlooked noir -- City of night: the advent of film noir. The black mask brigade: Dashiell Hammett, hard-boiled fiction, and film noir -- Exploring film noir: Stranger on the third floor and other films -- Nightmare town: Dashiell Hammett's fiction as film noir -- John Huston: The Maltese falcon -- Stuart Heisler: The glass key -- Edward Buzzell: Song of the thin man -- Darkness at noon: representative noir films. Fritz Lang: Ministry of fear and Scarlet Street -- Alfred Hitchcock: Spellbound and Strangers on a train -- George Cukor: A double life -- Billy Wilder: Sunset Boulevard -- Robert Siodmak: The killers (1946) -- Don Siegel: The killers (1964) -- Otto Preminger: Laura and Anatomy of a murder -- Fred Zinnemann: Act of violence -- Stanley Kubrick: The killing -- Orson Welles: The stranger and Touch of evil -- The lower depths: the rise of neo-noir. Dashiell Hammett and neo-noir: The Dain curse and Hammett -- Anthony Minghella: The talented Mr. Ripley -- Liliana Cavani: Ripley's game -- Afterword / by James Welsh. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
520 |a Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginningwith Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made duringthe classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding. 
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650 0 |a Film noir  |x History and criticism. 
650 6 |a Films noirs  |x Histoire et critique. 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Film noir.  |2 fast  |0 (OCoLC)fst00924273 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a dissertations.  |2 aat 
655 7 |a Academic theses.  |2 lcgft 
655 7 |a Thèses et écrits académiques.  |2 rvmgf 
758 |i has work:  |a Out of the shadows (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGk34t9yGJphYXbYrXxcHd  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |t Out of the shadows  |d Lanham : Scarecrow Press, Inc., c2012.  |z 9780810881891 (cloth : alk. paper)  |w (DLC) 2011023510 
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