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Physical characteristics of early films as aids to identification /
"Any archivists who have held a piece of film in their hands, wondering how to go about identifying it, recognize the true value of film preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the Inte...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Brussels, Belgium :
FIAF,
2020.
|
| Edición: | Second edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Title
- Copyright
- Table of contents
- Foreword
- Harold Brown, a True Pioneer of Film Preservation
- Editor's Notes on the New Edition
- Genesis
- Methodology
- Notes on the Present Edition
- Chronology
- Structure
- Illustrations
- Acknowledgements
- PART I
- Physical Characteristics of Early Films as Aids to Identification
- 1. Preface to the 1990 Edition
- 2. Introduction to the 1990 Edition
- 3. Perforation Shapes
- 4. Embossed and Punched Marks
- 5. Producers' Edge Marks
- 5.2 Lumière
- 5.4 Pathé
- 5.5 Gaumont
- 5.6 Cines
- 5.7 Vitagraph
- 5.8 Selig
- 5.9 Pasquali
- 5.10 Warwick
- 5.11 Ambrosio
- 5.12 Sascha
- 5.13 Messter
- 5.14 Éclair
- 5.15 Urban
- 5.16 Lux
- 5.17 Motion Picture Patents Company
- 5.18 Post-War Edge Marks
- 6. Stock Manufacturers' Edge Marks
- 6.2 Eastman Kodak
- 6.3 Agfa
- 6.4 Selo
- 6.5 Brifco
- 6.6 Gevaert
- 6.7 Pathé
- 6.8 Lignose
- 6.9 Goerz Tenax
- 7. Frame Characteristics and Features of Margins
- 7.2 Méliès
- 7.3 Paul
- 7.4 Edison
- 7.5 Pathé (Early Films with Small Perforations)
- 7.6 Lumière
- 7.7 Warwick
- 7.8 Hepworth
- 7.9 Vitagraph
- 7.10 Selig
- 7.11 Pasquali
- 7.12 Gaumont
- 7.13 Cines
- 7.14 Thanhouser
- 7.15 Pathé (Films of 1905 Onward)
- 7.16 Lubin
- 7.17 Kalem
- 7.18 Essanay
- 7.19 Ambrosio
- 7.20 Itala
- 7.21 American Biograph Company
- 7.22 Lux
- 8. Title Styles
- 8.3 Hepworth (1907-1913)
- 8.4 Gaumont (1906-1914)
- 8.5 Cines (1909-1914)
- 8.6 Vitagraph (1906-1919)
- 8.7 Thanhouser (1910-1915)
- 8.8 Selig (1908-1915)
- 8.9 Éclair (1908-1915)
- 9. Production Serial Numbers
- 10. Letters, etc
- 11. Trademarks in Scenes
- 11.2 Méliès
- 11.3 Hepworth
- 11.4 Pathé
- 11.5 Gaumont
- 11.6 Vitagraph
- 11.7 Thanhouser
- 11.8 Kalem
- 11.9 Éclair
- 12. Essay Thanhouser
- 13. Essay Hepworth
- Appendices: Film Lists
- 1. Gaumont (1906-1914)
- 2. Cines (1909-1914)
- 3. Éclair (1908-1915)
- 4. Selig Polyscope (1908-1915)
- 5. Thanhouser (1910-1915)
- Title Styles
- Illustrations in Colour (* = new to this edition)
- Hepworth
- Gaumont
- Cines
- Vitagraph
- Thanhouser
- Selig
- Éclair
- *American Standard (Éclair)
- *Scientia (Éclair)
- Pasquali
- *Ambrosio
- *Eclipse
- *Edison
- *Le Lion
- *Lubin
- *Lux
- *Messter
- *Mirror Films
- *Nordisk Films Kompagni
- *Pathé Frères
- *Robert W. Paul
- *Warwick Trading Co
- *Welt-Kinematograph
- PART II
- Lumière
- History (1892-1905)
- General Characteristics
- Perforations
- Inscriptions on the Film Reel
- Frame Characteristics
- Logotype
- Original Cans
- Bibliography
- Identifying a Georges Méliès
- Fiction Films
- Trademarks
- Non-Fiction Films
- Frame-lines and Frame Characteristics
- Perforation Shapes
- Splices
- Attributing a Film to Méliès Is One Thing, Finding a Title and a Date Is
- Title
- Shooting Date
- Parnaland and Éclair
- Camille Blot-Wellens and Pierrette Lemoigne Parnaland (1895-1907)