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|a Too bold for the box office :
|b the mockumentary from big screen to small /
|c edited by Cynthia J. Miller.
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|a Lanham [Md.] :
|b Scarecrow Press, Inc.,
|c 2012.
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|a 1 online resource (xliv, 257 p.)
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|a text
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|a Includes bibliographical references (p. 213-226), filmography and index.
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|a Introduction -- Prologue: nothing new under the sun -- or on film / Jerome Kuehl -- I. Lost histories -- Making up mammy: re-enacting historical erasure and recasting authenticity in Cheryl Dunye's The Watermelon Woman / Eve Allegra Raimon -- Mercury's on the launch pad, but Cadillac's on the moon: The Old Negro Space Program / Cynthia J. Miller and A. Bowdoin Van Riper -- Peter Delpeut's The Forbidden Quest: history and truth in fiction / Robert Weiner -- II. Popular culture as commentary -- Polka Settles the Score in The Schmenges: The Last Polka / Linda Kornasky -- Experiments in parody and satire: short-form mockumentary series / Craig Hight -- Commando raids on the nature of reality / Gary D. Rhodes -- III. Daring to believe -- Aching to believe: the heresy of Forgotten Silver / Scott Wilson -- "That's not Zen!": mocking ethnographic film in Doris Dèorrie's Enlightenment Guaranteed / Heather Merle Benbow -- The mind behind the mockumentary: The Proper Care and Feeding of An American Messiah / Chris Hansen -- IV. The war that wasn't -- It (might have) happened here: how Nazi Germany won the war / John C. Tibbetts -- Between what is and what if: Kevin Willmott's CSA / Thomas Prasch -- The "serious" mockumentary: the trivialization of disaster? The case of Peter Watkins / James M. Welsh -- The making of It Happened Here / Kevin Brownlow -- Epilogue: mockumentaries meet new media / Spencer Schaffner.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|a In Too Bold for the Box Office, Cynthia J. Miller has assembled essays by scholars and filmmakers who examine the unique cinematic form of mockumentary. Individually, each of these essays looks at a given instance of mockumentary parody and subversion, examining the ways in which each calls into question our assumptions, pleasures, beliefs, and even our senses. Writing about national film, television, and new media traditions as diverse as their backgrounds, this volume's contributors explore and theorize the workings of.
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Documentary-style films
|x History and criticism.
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|a Documentary-style television programs
|x History and criticism.
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|a Docufictions
|x Histoire et critique.
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|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
|2 bisacsh
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|a Documentary-style films.
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|0 (OCoLC)fst00896106
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|a Documentary-style television programs.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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1 |
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|a Miller, Cynthia J.,
|d 1958-
|1 https://id.oclc.org/worldcat/entity/E39PCjCj8KkcdMTbJxjfkpWbh3
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|i has work:
|a Too bold for the box office (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH8bpPb8MWcQYTYWGHv6jy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|t Too bold for the box office
|d Lanham [Md.] : Scarecrow Press, Inc., 2012.
|z 9780810885189 (cloth : alk. paper)
|w (DLC) 2012011326
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