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|b Z92 2021
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|2 23
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|a UAMI
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|a Varghaiyan, Naghmeh.
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|a The Rhetoric of Women's Humour in Barbara Pym's Fiction /
|c Naghmeh Varghaiyan, with a preface by Orna Raz.
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|a Berlin :
|b Ibidem Verlag,
|c 2021.
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|a 1 online resource (235 p.).
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Studies in English Literatures ;
|v v.21
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|a Description based upon print version of record.
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|a Intro -- Acknowledgements -- Abbreviations -- Preface by Orna Raz -- Introduction -- 1 Characteristics of Women's Humour -- 1.1 Myth of Women's Lack of a Sense of Humour -- 1.2 Undermining Women's Wit -- 1.3 Women's Language and écriture féminine -- 1.4. Difference between Irony and Humour -- 1.5 Necessity of a Humour of One's Own -- 1.6 Humour: A Female Device? -- 1.7 Misreading Women's Humour and Images of Women -- 1.8 Lack of Ending in the Works of Women Writers -- 1.9 Differences between Conventional Humour and Women's Humour -- 1.10 Women's Humour and Socio-Cultural Restraints
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|a 1.11 Ideology of Domesticity and Domestic Comedy -- 1.12 Characteristics of Women's Humour -- 1.13 Major Areas and Tactics of Female Humour -- 1.14 Self-Irony -- 1.15 Women Writers' Humour in the Nineteenth Century -- 1.16 Humour as a Device of Sympathy -- 1.17 Female Humour and Narrative Structure -- 1.18 Rhetoric of Humour in Pym's Novels -- 2 Some Tame Gazelle: Construction of Women's Veiled Humour -- 2.1. Role of Rhetorical Strategies in the Construction of Women's Humour in STG -- 2.1.1. Subversion of the Romantic Plot and the Discourse of Trivia -- 2.1.2 Belinda's Double Text Discourse
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|a 2.1.3 Function of Gossip in the Construction of Humorous Narrative -- 2.1.4 Understatement and Self-Deprecation -- 2.1.5 Sympathetic Bond between Narrator and Heroine and among Characters -- 2.2. Function of Themes and Motifs in the Construction of Humorous Plot -- 2.2.1 Subversion of Female Stereotypes -- 2.2.2 Subversion of Male Images -- 2.3 Women's Humour as Social Critique: Undermining the Institution of Church and Clergymen -- 3 Excellent Women: Humour of Mildred Regarded as an Excellent Woman -- 3.1 Rhetorical Strategies in the Construction of Women's Humour
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|a 3.1.1 Understatement and Self-Deprecation -- 3.1.2 Mildred's Double-Voiced Discourse -- 3.2 Themes and Motifs in the Construction of Humorous Plot -- 3.2.1 Subversion of the Stereotype of Excellent Woman -- 3.2.2 Subversion of Male Images -- 4 Jane and Prudence: Unconventional Wife and Satisfied Spinster -- 4.1 Jane's Subversion of the Image of Conventional Clergyman's Wife -- 4.1.1 Jane's Creation of a Fantastic World -- 4.1.2 Jane's Reversal of the Role of Serving Female -- 4.1.3 Jane's and Prudence's Use of Double-Voiced Discourse
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|a 4.2 Subversion of the Image of the Spinster and Prudence's Creation of a Romantic World -- 4.3 Subversion of the Male Image by Exposure of Men's Indolence and Self-Indulgence -- Conclusion -- Works Cited
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Pym, Barbara
|x Criticism and interpretation.
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|a Pym, Barbara
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJhMqcx66M6KKhRyktGJXd
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|a Electronic books.
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|a Livres numériques.
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|a e-books.
|2 aat
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|a Criticism, interpretation, etc.
|2 fast
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|a Raz, Orna,
|e author of the preface.
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| 758 |
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|i has work:
|a The rhetoric of women's humour in Barbara Pym's fiction (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFXp6gvgCwRw4Yb7qvRwJC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Varghaiyan, Naghmeh
|t The Rhetoric of Women's Humour in Barbara Pym's Fiction
|d Berlin : Ibidem Verlag,c2021
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| 830 |
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|a Studies in English literatures.
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| 856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6478721
|z Texto completo
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