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Anonymous art at auction : the reception of early Flemish paintings in the Western art market (1946-2015) /
"Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden ; Boston :
Brill,
[2021]
|
| Colección: | Studies in the history of collecting & art markets ;
v. 11. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgements
- List of Figures, Tables, and Graphs
- Abbreviations
- Introduction
- 1 The Power of the Artist's Name
- 1.1 The Artist's Name and Its Attributes
- 1.2 Attributionism or a "History of the Art of Names"
- 1.3 The Relationship between the Artist's Name and the Work's Cultural and Economic Value
- 1.4 The Cognitive Impact of the Artist's Name
- 1.5 The Artist's Name as Brand Name
- 1.6 The Monetary Weight of the Artist's Name
- 2 Anonymity and Flemish Painting
- 2.1 The Painting of the Southern Low Countries in the Fifteenth and Sixteenth Centuries
- 2.2 Pictures by and for the Market
- 2.3 Between Identity and Anonymity: The Duality of Flemish Painting
- 2.4 A School and Artists Subject to Changing Preferences
- 2.5 A Complex Authentication Process
- 2.6 The Advent of Technical Art History and the Relativity of Authorship
- 2.7 Perception of the Anonymity of Flemish Paintings
- 2.8 Identification Strategies in Use in the Market for Flemish Paintings
- 3 Methodological Considerations
- 3.1 Chronological and Geographical Framework
- 3.2 Sources and Data
- 3.3 Hedonic Regression
- 3.4 Research Limits
- 3.5 Description of the Database
- 4 Empirical Analysis of the Market for Flemish Paintings
- 4.1 Price Index (1946-2015)
- 4.2 The Main Price Determinants of the Market for Flemish Paintings
- 4.3 Price Indices by Identification Strategy.
- 5 A Name, Indirectly. The Authentication Scale and the Economy of Attribution Qualifiers
- 5.1 Introduction
- 5.2 A Revised Authentication System: Christie's and Sotheby's Repositioning on Attribution
- 5.3 The Impact of the Authentication Scale on Buyers' Willingness to Pay
- 5.4 Management and Promotion of Indirect Names
- 5.5 Lexicometric Analysis of Auction Houses' Discourse
- 5.6 Qualitative Analysis of Auction Houses' Discourse
- 5.7 The Reception of New Attribution Practices in the Market for Flemish Paintings
- 5.8 The Attitude to Non-autograph Works: Prospects for Change
- 5.9 Partial Conclusions
- 6 A Fictitious Identity. The Market for Masters with Provisional Names
- 6.1 Introduction
- 6.2 The Provisional Name: Historiography of a Practice Inherited from a Traditional Connoisseurship
- 6.3 The Market for Masters with Provisional Names: Analysis and Discussion
- 6.4 Partial Conclusions
- 7 Paintings without Names. The Market Reception of Spatiotemporal Designations
- 7.1 Introduction
- 7.2 The Critical Reception of Antwerp Mannerism or the "Ungrateful Task of Bringing Order into the Chaos"
- 7.3 Managing Anonymity: A Nomenclature of Spatiotemporal Designations
- 7.4 The Market for Anonymous Flemish Paintings: Analysis and Discussion
- 7.5 Sales Strategies: Indirect or Spatiotemporal Designations?
- 7.6 Thoughts on an Authentication System Reducing the Impact of Anonymity on the Cultural and Economic Value of Old Master Paintings
- 7.7 Partial Conclusions
- Conclusion
- Appendix
- Bibliography
- Index.