The Texture of Images The Relic Book in Late-Medieval Religiosity and Early Modern Aesthetics.

Mostrar otras versiones (1)
Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cárdenas, Livia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : BRILL, 2020.
Colección:Library of the Written Word Ser.
Temas:
1500-1599
Relic books.
Books and reading > Europe, German-speaking > History > 16th century.
Books and reading > Religious aspects > Christianity.
Livres et lecture > Germanophonie > Histoire > 16e siècle.
Livres et lecture > Aspect religieux > Christianisme.
Books and reading
Books and reading > Religious aspects > Christianity
Relic books
German-speaking Europe
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • The Texture of Images: The Relic Book in Late-Medieval Religiosity and Early Modern Aesthetics
  • Copyright
  • Contents
  • Preface to the English Edition
  • Acknowledgements
  • Translator's Note
  • Key German Terms
  • List of Illustrations
  • Abbreviations
  • 1 Relic Books
  • 2 Secondary Literature
  • Introduction
  • 1 Relic Books issues of Genre and Classification
  • 2 The State of Scholarship
  • 3 The Aims of this Study
  • Part 1: The Diversification of the Genre
  • 1 Mimesis as Politics
  • 1 The Title Page of the Nuremberg Relic Book
  • 2 The Introductory Text
  • 3 Processional Sections and Epilogue
  • 4 The Organization of the Book
  • 5 Hans Mair's New Edition of 1493 commission or Free Enterprise?
  • 6 Excursus the Manuscript of 1458
  • 7 The Book as Pictogram of the City
  • 8 The Motivation of the Book's Commissioners
  • 9 The Self-Privileging of the Citizens
  • 2 Competition between Cities and Printers
  • 1 The Basic Type and Layout of the Bamberg Relic Book
  • 2 Competition between Cities
  • 3 Competition between Printers
  • 3 Speculating on Similarity
  • 1 The Preface of the Würzburg Relic Book
  • 2 The Sequence of the Relics An Open Problem?
  • 3 Speculating on Similarity in the Text The Copied Intercessory Prayers
  • 4 Speculating on Similarity in the Image
  • 5 Hans Mair Printer in His Own Name
  • 4 Familiar Means
  • New Piety
  • 1 Preface and the Calendar of Indulgences
  • 2 The Location of the Event
  • 3 ""Is Clearly Displayed in Image and Word
  • 4 The Martyrdom of Saint Stephen
  • 5 The Saint's Martyrdom and the Reader's Own Death
  • 6 From Didactics to Endowment
  • 7 One Step Forward, Two Steps Back The New Title Page
  • 5 Aesthetic Enhancement
  • 1 Lucas Cranach The Art of Court and Book
  • 2 The Wittenberg Relic Book
  • 3 Shifting Statements A Comparison between the B-Edition and the A-Edition
  • 4 Model, Copy and Aesthetic Sublimation
  • 5 Functional Aspects
  • 6 The Relic Book as Stage Mask: the Media Staging of Social Climbing and the Accumulation of Salvation
  • 1 The Commissioner of the Manuscript
  • 2 The Starting Point for the Endowment
  • 3 The Structure of the Manuscript
  • 4 Reference Values
  • 7 Troy, Rome, Halle: history and Genealogy
  • 1 The Artists of the Halle Relic Book
  • 2 Exquisitely Archaic or Exclusive the Title Page
  • 3 Troy, Rome, Halle Albrecht Dürer's Engraving
  • 4 The Donors Are in the Picture portraits and Coats of Arms
  • The Beginning and the End
  • 5 The Introduction
  • 6 The Organization of the Book
  • 7 Fidelity to and Distance from the Object strategies of Realization
  • 8 The Fine Art of Trumping
  • 8 The Fine Art of Trumping
  • Part 2: Synthesis of a Genre
  • 8 The Mediality of the Relic Book
  • 1 ""diser maß und gestalt"" text and Reality
  • 2 Autonomy and Aesthetics of Reproduction
  • 3 Analogy versus Genealogy the Relic Book as Precursor of Collection and Exhibition Catalogues
  • 9 The Texture of the Book

Ejemplares similares