|
|
|
|
LEADER |
00000cam a2200000Mu 4500 |
001 |
EBOOKCENTRAL_on1223101069 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
201121s2020 xx o ||| 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|c EBLCP
|d EBLCP
|d REDDC
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCL
|
020 |
|
|
|a 9781119779476
|
020 |
|
|
|a 1119779472
|
035 |
|
|
|a (OCoLC)1223101069
|
050 |
|
4 |
|a HD9940.A2
|b .M687 2020
|
082 |
0 |
4 |
|a 306.34
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Mouratidou, Eleni.
|
245 |
1 |
0 |
|a Re-Presentation Policies of the Fashion Industry
|h [electronic resource] :
|b Discourse, Apparatus and Power.
|
260 |
|
|
|a Newark :
|b John Wiley & Sons, Incorporated,
|c 2020.
|
300 |
|
|
|a 1 online resource (239 p.)
|
500 |
|
|
|a Description based upon print version of record.
|
505 |
0 |
|
|a Cover -- Title Page -- Copyright Page -- Contents -- Introduction -- Part 1 Re-presentations and Artifices -- Introduction to Part 1 -- Chapter 1 Re-presentation as a Form of Artistic and Cultural Legitimization -- 1.1. The work of art and its reproducibility at the service of the fashion industry -- 1.1.1. Culturization of the purse, and portability of the work of art -- 1.1.2. The purse as an apparatus for commercial and artistic mediation -- 1.2. Book publishing at the service of the fashion brand's cultural value -- 1.2.1. A book as beautiful as a trunk (Louis Vuitton)
|
505 |
8 |
|
|a 1.2.2. Literary praise for luxury goods -- 1.3. The popularity of fashion accessories -- 1.3.1. The value of a luxury item through the club model -- 1.4. The exhibited advertising poster -- 1.4.1. Self-referential legitimations -- 1.4.2. Bricolage and illusion: advertising the advertising -- 1.5. The advertising poster as a testimonial discourse -- 1.5.1. The caption as a thematic and generic engagement -- 1.5.2. The presentation of the ready-to-wear collection as an event -- Chapter 2 Investing Symbolically in the Museum, Transforming the Store: Re-presentation as an Iterative Event
|
505 |
8 |
|
|a 2.1. From the boutique to heritage enhancement sites -- 2.1.1. The place where the brand's heritage is developed: the advertiser's dual entity -- 2.1.2. Patrimonialization and unadvertization: from forms to formats -- 2.2. The museum exhibition: a communicational pretext -- 2.2.1. Staging a symbolic distribution: from the discontinuous to the continuous -- 2.2.2. The image of a work of art: symbolic distribution and artification -- 2.3. Distribution of marketable goods and contemporary art: the full and the void -- 2.3.1. Cultural missions and department stores
|
505 |
8 |
|
|a 2.3.2. From cultural mediations to market mediations (and vice versa) -- 2.3.3. In praise of the void and the worship of merchandise -- Part 2 Re-presentations and Forms of Life: The Religious and the Political -- Introduction to Part 2 -- Chapter 3 Re-presentation as a Cult Form -- 3.1. Biblical stories and media advertising: fashion and (divine) grace -- 3.1.1. Farmers, a storm and a boat: the biblical story of Noah's Ark -- 3.1.2. The Gucci actant: from ready-to-wear to ready-to-save -- 3.2. Biblical stories and media advertising: fashion and adoration -- 3.2.1. Advertising idolatry
|
505 |
8 |
|
|a 3.2.2. From product name to brand signature -- 3.2.3. Actualization and ostentation of Dior's semiotic and religious capital -- 3.3. From places dedicated to Christian worship to places dedicated to fashion worship -- 3.3.1. From the Hospice des Incurables to the Balenciaga showroom -- 3.3.2. Profanation of the sacred, sacralization of the lay public -- 3.3.3. Apparatus -- Relic -- 3.3.4. Materiality, cult value and transparency -- Chapter 4 Re-presentation as a Rewriting of Politics -- 4.1. The pretension of politics and its market value
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Clothing trade
|x Social aspects.
|
650 |
|
0 |
|a Luxuries
|x Social aspects.
|
650 |
|
6 |
|a Produits de luxe
|x Aspect social.
|
650 |
|
7 |
|a Clothing trade
|x Social aspects
|2 fast
|
650 |
|
7 |
|a Luxuries
|x Social aspects
|2 fast
|
758 |
|
|
|i has work:
|a Re-presentation policies of the fashion industry (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH9mK7xMhfMFjch9VymQmb
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Mouratidou, Eleni
|t Re-Presentation Policies of the Fashion Industry : Discourse, Apparatus and Power
|d Newark : John Wiley & Sons, Incorporated,c2020
|z 9781786305916
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6370544
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6370544
|
994 |
|
|
|a 92
|b IZTAP
|