Science Fiction and Innovation Design

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Michaud, Thomas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : John Wiley & Sons, Incorporated, 2020.
Temas:
Technological innovations.
Innovations.
Technological innovations
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Introduction: Science Fiction: A Technical Imaginary World to be Deciphered
  • Chapter 1 Technological Innovations in the Post-Apocalyptic World: Lessons Learned from Science Fiction Movies
  • 1.1. Introduction
  • 1.2. The future machine of humanity
  • 1.3. A pending world?
  • 1.4. Consuming the world
  • 1.5. A finite world
  • 1.6. Conclusion
  • 1.7. References
  • Chapter 2 Using Science Fiction in Engineering Education: Technological Imagination as an Element of Technical Culture
  • 2.1. Introduction
  • 2.2. What is technical culture?
  • 2.2.1. In the name of autonomy
  • 2.2.2. For a non-segmented technical culture
  • 2.3. Science fiction, technology and narrative: fertile connections
  • 2.3.1. Science fiction, a sociotechnical genre
  • 2.3.2. Science fiction: a special genre in the service of technical culture
  • 2.4. Science fiction and the imaginary world at the heart of training
  • 2.4.1. Exploring science fiction representations
  • 2.4.2. Science fiction to build an ethical approach
  • 2.4.3. Perspectives: harvesting and building on science fiction imaginary worlds in order to innovate
  • 2.5. Conclusion
  • Chapter 3 Engineers Versus Designers: Transposition of the Technical Imaginary World into the Visual
  • 3.1. Introduction
  • 3.2. From applied science to applied art
  • 3.3. The question of the "object" in contemporary society
  • 3.4. The "transparency" of technology
  • 3.5. "Transparent" objects
  • 3.6. "Deconstructed" objects
  • 3.7. "Printed" objects
  • 3.8. "Skeleton" objects
  • 3.9. "Impossible" objects
  • 3.10. Conclusion
  • 3.11. References
  • Chapter 4 Imaginary Worlds to Be Projected or to Be Criticized? Methodological Considerations
  • 4.1. Introduction
  • 4.2. Challenges in the production of a corpus of imagination
  • 4.3. Imaginary worlds of various qualities
  • 4.4. Representations that are often appropriable and exploratory
  • 4.5. New vulnerabilities
  • 4.6. Context, a first point of entry for appropriating the imaginary worlds
  • 4.7. Uses, another point of entry for appropriating the imaginary worlds
  • 4.8. Conclusion
  • 4.9. References
  • Chapter 5 Marsism, from Science Fiction to Ideology
  • 5.1. Introduction
  • 5.2. The Mars Society's martian imaginary world
  • 5.3. Elon Musk, a utopian entrepreneurial spirit
  • 5.4. The technotype of the extraterrestrial base
  • 5.5. Marsism, nasaism, communism and technoscientific microideologies
  • 5.6. Conclusion
  • 5.7. References
  • Chapter 6 Engineering? Science Fiction as a Means to Expand the Epistemic Boundaries of Technoscientific Innovation
  • 6.1. Introduction
  • 6.2. Science fiction at the heart of engineering innovation
  • 6.3. Figures of inevitability: the engineer at the confluence of discourses
  • 6.3.1. The disruption-less discourses of disruption
  • 6.3.2. The "convergence" discourse
  • 6.3.3. The engineer character at the confluence of discourses

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