Cargando…

Routledge Handbook of Japanese Cinema

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bernardi, Joanne
Otros Autores: Ogawa, Shota T.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Milton : Taylor & Francis Group, 2020.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Table of Contents
  • List of figures
  • List of tables
  • Acknowledgments
  • Editors' note
  • Introduction
  • PART I Decentering classical cinema: modernity, translation, and mobilization
  • 1 Suspense and border crossing: Ozu Yasujirō's crime melodrama
  • 2 Beyond Mt. Fuji and the Lenin cap: identity crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953)
  • 3 Home movies of the revolution: proletarian filmmaking and counter-mobilization in interwar Japan
  • 4 When Marnie Was There: female friendship film and the genealogy of queer girls' culture
  • 5 Making sense of Nakai Masakazu's film theory, "Kino Satz"
  • 6 Geysers of another nature: the optical unconscious of the Japanese science film
  • PART II Questions of industry: critical studies of regulatory frameworks, creative labor, and distributive networks
  • 7 Kaiju films as exportable content: reassessing the function of the Japanese Film Export Promotion Association
  • 8 "Fugitives" from the studio system: Ikebe Ryō, Sada Keiji, and the transition from cinema to television in the early 1960s
  • 9 Solo animation in Japan: empathy for the drawn body
  • 10 Media models of "amateur" film and manga
  • PART III Intermedia as an approach: tracing genealogies across disciplines and media
  • 11 Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice
  • 12 "Inter-mediating" global modernity: benshi film narrators, multisensory performance, and fan culture
  • 13 Between silence and sound: the liminal space of the Japanese "sound version"
  • 14 Marionettes no longer: politics in the early puppet animation of Kawamoto Kihachirō
  • 15 Rhetorics of autonomy and mobility in Japanese "AAA" games: the Metal Gear Solid and Resident Evil series within a global media context
  • 16 Pointing through the screen: archiving, surveillance, and atomization in the wake of Japan's 2011 triple disasters
  • PART IV The object life of film: site-specific approaches to Japanese cinema studies
  • 17 A historical survey of film archiving in Japan
  • 18 Japanese film history and the challenges of IMAGICA WEST Corp.
  • 19 A case study of Japanese film exhibition in North America: the Japan Society, New York
  • 20 Regional film archive in transit: Yasui Yoshio and Kobe Planet Film Archive
  • 21 New paths toward preserving Japanese cinema: the Toy Film Museum backstory
  • Contributors
  • Index