Routledge Handbook of Japanese Cinema
Clasificación: | Libro Electrónico |
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Autor principal: | |
Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Milton :
Taylor & Francis Group,
2020.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- List of figures
- List of tables
- Acknowledgments
- Editors' note
- Introduction
- PART I Decentering classical cinema: modernity, translation, and mobilization
- 1 Suspense and border crossing: Ozu Yasujirō's crime melodrama
- 2 Beyond Mt. Fuji and the Lenin cap: identity crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953)
- 3 Home movies of the revolution: proletarian filmmaking and counter-mobilization in interwar Japan
- 4 When Marnie Was There: female friendship film and the genealogy of queer girls' culture
- 5 Making sense of Nakai Masakazu's film theory, "Kino Satz"
- 6 Geysers of another nature: the optical unconscious of the Japanese science film
- PART II Questions of industry: critical studies of regulatory frameworks, creative labor, and distributive networks
- 7 Kaiju films as exportable content: reassessing the function of the Japanese Film Export Promotion Association
- 8 "Fugitives" from the studio system: Ikebe Ryō, Sada Keiji, and the transition from cinema to television in the early 1960s
- 9 Solo animation in Japan: empathy for the drawn body
- 10 Media models of "amateur" film and manga
- PART III Intermedia as an approach: tracing genealogies across disciplines and media
- 11 Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice
- 12 "Inter-mediating" global modernity: benshi film narrators, multisensory performance, and fan culture
- 13 Between silence and sound: the liminal space of the Japanese "sound version"
- 14 Marionettes no longer: politics in the early puppet animation of Kawamoto Kihachirō
- 15 Rhetorics of autonomy and mobility in Japanese "AAA" games: the Metal Gear Solid and Resident Evil series within a global media context
- 16 Pointing through the screen: archiving, surveillance, and atomization in the wake of Japan's 2011 triple disasters
- PART IV The object life of film: site-specific approaches to Japanese cinema studies
- 17 A historical survey of film archiving in Japan
- 18 Japanese film history and the challenges of IMAGICA WEST Corp.
- 19 A case study of Japanese film exhibition in North America: the Japan Society, New York
- 20 Regional film archive in transit: Yasui Yoshio and Kobe Planet Film Archive
- 21 New paths toward preserving Japanese cinema: the Toy Film Museum backstory
- Contributors
- Index