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201114s2020 xx o ||| 0 eng d |
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|a EBLCP
|b eng
|c EBLCP
|d EBLCP
|d OCLCQ
|d REDDC
|d OCLCO
|d OCLCL
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| 020 |
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|a 9781315534350
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|a 1315534355
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| 035 |
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|a (OCoLC)1206400065
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| 050 |
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4 |
|a PN1993.5.J3
|b .R68 2021
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| 082 |
0 |
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|a 791.430952
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Bernardi, Joanne.
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| 245 |
1 |
0 |
|a Routledge Handbook of Japanese Cinema
|h [electronic resource].
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| 260 |
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|a Milton :
|b Taylor & Francis Group,
|c 2020.
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| 300 |
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|a 1 online resource (433 p.)
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- Acknowledgments -- Editors' note -- Introduction -- PART I Decentering classical cinema: modernity, translation, and mobilization -- 1 Suspense and border crossing: Ozu Yasujirō's crime melodrama -- 2 Beyond Mt. Fuji and the Lenin cap: identity crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953) -- 3 Home movies of the revolution: proletarian filmmaking and counter-mobilization in interwar Japan
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| 505 |
8 |
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|a 4 When Marnie Was There: female friendship film and the genealogy of queer girls' culture -- 5 Making sense of Nakai Masakazu's film theory, "Kino Satz" -- 6 Geysers of another nature: the optical unconscious of the Japanese science film -- PART II Questions of industry: critical studies of regulatory frameworks, creative labor, and distributive networks -- 7 Kaiju films as exportable content: reassessing the function of the Japanese Film Export Promotion Association -- 8 "Fugitives" from the studio system: Ikebe Ryō, Sada Keiji, and the transition from cinema to television in the early 1960s
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| 505 |
8 |
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|a 9 Solo animation in Japan: empathy for the drawn body -- 10 Media models of "amateur" film and manga -- PART III Intermedia as an approach: tracing genealogies across disciplines and media -- 11 Utsushi-e: Japanese magic lantern performance as pre-cinematic projection practice -- 12 "Inter-mediating" global modernity: benshi film narrators, multisensory performance, and fan culture -- 13 Between silence and sound: the liminal space of the Japanese "sound version" -- 14 Marionettes no longer: politics in the early puppet animation of Kawamoto Kihachirō
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| 505 |
8 |
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|a 15 Rhetorics of autonomy and mobility in Japanese "AAA" games: the Metal Gear Solid and Resident Evil series within a global media context -- 16 Pointing through the screen: archiving, surveillance, and atomization in the wake of Japan's 2011 triple disasters -- PART IV The object life of film: site-specific approaches to Japanese cinema studies -- 17 A historical survey of film archiving in Japan -- 18 Japanese film history and the challenges of IMAGICA WEST Corp. -- 19 A case study of Japanese film exhibition in North America: the Japan Society, New York
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| 505 |
8 |
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|a 20 Regional film archive in transit: Yasui Yoshio and Kobe Planet Film Archive -- 21 New paths toward preserving Japanese cinema: the Toy Film Museum backstory -- Contributors -- Index
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Motion pictures
|z Japan
|x History.
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| 650 |
|
6 |
|a Cinéma
|z Japon
|x Histoire.
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| 700 |
1 |
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|a Ogawa, Shota T.
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| 758 |
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|i has work:
|a Routledge handbook of Japanese cinema (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGbHwcy8C6GPbF6T8pBCHC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
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|i Print version:
|a Bernardi, Joanne
|t Routledge Handbook of Japanese Cinema
|d Milton : Taylor & Francis Group,c2020
|z 9781138685529
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| 856 |
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0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6280490
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6280490
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