|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
EBOOKCENTRAL_on1202476037 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
201031t20202020enka ob 001 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e rda
|c EBLCP
|d YDX
|d UKAHL
|d EBLCP
|d NLW
|d YDXIT
|d OCLCO
|d OCLCF
|d N$T
|d OSU
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 1201658127
|a 1202455829
|
020 |
|
|
|a 1789142962
|q (electronic book)
|
020 |
|
|
|a 9781789142969
|q (electronic book)
|
020 |
|
|
|z 9781789142976
|
020 |
|
|
|z 1789142970
|
029 |
1 |
|
|a AU@
|b 000074529390
|
035 |
|
|
|a (OCoLC)1202476037
|z (OCoLC)1201658127
|z (OCoLC)1202455829
|
050 |
|
4 |
|a ND623.G5
|b N53 2020
|
082 |
0 |
4 |
|a 759.5
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Nichols, Tom,
|d 1958-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjCwbrf63KvDG7DxYmMWMq
|
245 |
1 |
0 |
|a Giorgione's ambiguity /
|c Tom Nichols.
|
264 |
|
1 |
|a London :
|b Reaktion Books Ltd,
|c 2020.
|
264 |
|
4 |
|c Ã2020
|
300 |
|
|
|a 1 online resource (253 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Renaissance lives
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on January 27, 2021).
|
504 |
|
|
|a Includes bibliographical references (pages 235-242) and index.
|
505 |
0 |
|
|a Introduction -- Who was Giorgione? -- Artistic context and early religious paintings -- Portraits and portrait-types -- Landscape and figure -- Nudes -- Conclusion.
|
520 |
|
|
|a "The Venetian painter known as Giorgione or 'big George' died at a young age in the dreadful plague of 1510, possibly having painted no more than thirty works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as the Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual ambiguity was quite deliberate, and that it was essential to Giorgione's approach in all his paintings. Nichols shows that Giorgione abandoned the more intellectual and rationalizing tendencies of Renaissance art, acknowledging the limits to human awareness or understanding. He was also to develop a newly sensual kind of art based on the intimate experiences of the body"--Inside back cover
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
600 |
0 |
0 |
|a Giorgione,
|d 1477 or 1478-1510
|x Criticism and interpretation.
|
600 |
0 |
7 |
|a Giorgione,
|d 1477 or 1478-1510
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJj4wXMmyyPRw9YxpKxRrq
|
650 |
|
7 |
|a Art
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Art
|x History
|x Renaissance.
|2 bisacsh
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
|
|
|i has work:
|a Giorgione's ambiguity (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH8vYpPy7TrPVqt96f6dwC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Nichols, Tom, 1958-
|t Giorgione's ambiguity.
|d London : Reaktion Books, 2020
|z 9781789142976
|w (OCoLC)1137807346
|
830 |
|
0 |
|a Renaissance lives.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6376473
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37292894
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6376473
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17060460
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2655420
|
994 |
|
|
|a 92
|b IZTAP
|