Intellectual and Cultural Property Between Market and Community.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Macmillan, Fiona
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Milton : Taylor & Francis Group, 2020.
Temas:
Intellectual property.
Propriété intellectuelle.
intellectual property.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Dedication
  • Table of Contents
  • Preface
  • List of Abbreviations
  • 1 Copyright and Cultural Production
  • 1 Introduction
  • 1.1 The Fall of Icarus and the Burden of Genius
  • 1.2 Structure of the Book
  • 1.3 A Brief Note on Terminology
  • 2 The Long History of Copyright and its Consequences
  • 2.1 Regulating the "Creative Arts"
  • 2.2 Printers' Privileges, Market Regulation and Aesthetic Theory
  • 3 Copyright in International Law
  • 4 The Politics of Copyright
  • 5 The Political Economy of Copyright: Critical Approaches
  • 5.1 The Property Paradigm
  • 5.2 The Market Paradigm and Investment Rights
  • 5.3 Labour
  • 5.4 The State, Politics and Geo-Politics
  • 5.5 Creativity and Innovation
  • 5.6 The Non-Propertized Space of Cultural Production
  • 2 Hyperreality and the Non-Propertized Domain of Intellectual Space
  • 1 Introduction: Imagining Intellectual Space
  • 2 Intellectual Space, Intellectual Property and the Non-Propertized Zone
  • 3 The Power of Property in Intellectual Space
  • 4 Cultural Property/Heritage in Intellectual Space
  • 5 While we're talking about the Romans ...
  • 3 Heritage, Law and Community
  • 1 Introduction: The UNESCO Regime in Geo-Political Context
  • 2 The Concept of Cultural Heritage
  • 2.1 The UNESCO Regime
  • 2.2 An Overarching Concept?
  • 2.3 Identity, Community, Property
  • 3 Intangible Cultural Heritage
  • 3.1 Defining Intangible Cultural Heritage
  • 3.2 Intangible Cultural Heritage and Community
  • 3.3 Intangible Cultural Heritage and Intellectual Property
  • 4 Cultural Property and Decolonization
  • 4.1 Claims of Developing Countries and Indigenous Peoples
  • 4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage
  • 4.3 Public v Private Claims to Cultural Heritage
  • 5 Asking Too Much of Heritage?
  • 4 Community and Cultural Property
  • 1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse
  • 2 Recognizing Community
  • 3 Community and Law
  • 4 Community and Copyright Law
  • 5 The Complex Reality
  • 5 The Monumental Occidental Tragedy
  • 1 Introduction: The West v The Rest
  • 2 Tangibility, Intangibility and Digitization
  • 2.1 Re-representation and Co-constitution
  • 2.2 Access and Use
  • 2.3 Intellectual Property (again)
  • 3 Immoveability and Monumentality
  • 4 Moving Targets
  • 4.1 Origin and Community (Again)
  • 4.2 Decontextualization
  • 4.3 Conservation and Destruction
  • 5 Authenticity
  • 6 Nature and Culture
  • 7 Being Flattened by the Capitalist Steamroller
  • 6 Explorations in the Cultural Landscape
  • Arts Festivals
  • 1 Introduction: Here, There and Everywhere
  • 2 Definitions: Being Together in no Man's Land
  • 3 Saturated by Copyright?
  • 3.1 Performance and Text
  • 3.2 Ephemeral Performances
  • 3.3 Interactive Works
  • 3.4 Things that are Not Copyright Works
  • 4 The Festival Space: Cultural Production and Community
  • 5 Law in the Festival Space

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