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The Shock of Recognition Motifs of Modern Art and Science.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pyenson, Lewis
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : BRILL, 2020.
Colección:Nuncius Ser.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Half Title
  • Series Information
  • Title Page
  • Copyright Page
  • Dedication
  • Contents
  • Abbreviations
  • Figures and Tables
  • Introduction
  • 1 The Origin of the Book
  • 2 The Plan of the Book
  • 3 Terms of Analysis
  • 4 Modernity and Abstraction
  • 5 Neo-Idealism and Worldview
  • 6 The Years around 1900
  • 7 Motifs and the Shock of Recognition
  • 8 Hope and Gratitude
  • Part 1 Historical Complementarity
  • Chapter 1 Complementary History
  • 1 The Intrinsic Past of Art and Science
  • 2 Historical Complementarity Introduced
  • 3 Penetrating Deeper into Culture
  • 4 The Method of Historical Complementarity
  • 5 Up from the Bottom
  • 6 The Common Ground of Intellectual Life
  • Chapter 2 How Moderns Understood Art and Science
  • 1 The Ideal and Abstract Consensus
  • 2 Art and Science as Vexatious Twins
  • 3 Neo-idealists and Symbols
  • 4 Leonardo as a Modern Icon
  • Part 2 Ut pictura mathesis: Vision and Perspective in Picasso's and Einstein's Education
  • Chapter 3 A New Look at Picasso and Einstein
  • Chapter 4 Picasso
  • 1 Figuring It Out
  • 2 A Coruña: Art and Science in an Atlantic Palace
  • 3 High Art and Design in Barcelona
  • 3.1 The School of Drawing
  • 3.2 Mathematics
  • 3.3 Technology and Science
  • 4 What Picasso Saw
  • Chapter 5 Einstein
  • 1 Young Einstein's Visualization
  • 2 Images of Western Civilization
  • 3 The Eye and the Hand
  • 4 Surfaces and Their Projection
  • 5 Intimations of Relativity
  • Chapter 6 Picasso and Einstein in Common
  • Part 3 Inside/Outside: Abstraction in Domestic Décor and Public Experience
  • Chapter 7 An Intellectual Climate
  • 1 Complementarity and Analogy
  • 2 Off Center: Politics and Philosophy
  • 3 Neo-idealism in Painting and Physics
  • Chapter 8 Non-figurative Design in Rooms and on Streets
  • 1 Decorating for the Interior Turn
  • 2 Carpets
  • 3 Wallpaper
  • 4 Electrical Lighting
  • 5 Light and Shadows in the Bourgeois and Scientific Experience
  • Chapter 9 Teaching and Displaying Abstract Style
  • 1 Art and Science in Great Britain
  • 2 Design in the Department of Science and Art
  • 3 Gottfried Semper in London
  • 4 Christopher Dresser as a Designer
  • 5 Semper's and Dresser's Legacy
  • 6 The Appeal of Abstraction
  • Chapter 10 Mathematics, Art, and Apparitions in School and Gallery
  • 1 Felix Klein's Models
  • 2 Nineteenth-Century Plaster Casts
  • 3 Klein's Intuition
  • 4 L.E.J. Brouwer's Affinity with Felix Klein
  • 5 Responses to and Varieties of Abstraction
  • 6 Interface of Artists and Mathematicians
  • 7 Klein and Picasso
  • Chapter 11 Abstraction as Neo-idealist Virtue
  • Part 4 Nation: Horizons of Artistic and Scientific Culture in Argentina
  • Chapter 12 Complementarity and National Style
  • Chapter 13 Landscape and the Hope of a Modern Nation
  • 1 Córdoba la docta
  • 2 Venerable and Venerated Learning
  • 3 The Rise of the Research University
  • 4 Printing, Publishing, and Illustrating