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Modern Archaics Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937.
"Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the mutually transformative power of the modern and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
BRILL,
2014.
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| Colección: | Harvard University Studies in East Asian Law Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Modern Archaics: CONTINUITY AND INNOVATION IN THE CHINESE LYRIC TRADITION, 1900- 1937
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Ornamental Lyricism
- PART I: A FORMAL FEELING COMES: POETRY OF MOURNING
- 1. Falling Leaves and Grieving Cicadas: Allegory and the Experience of Loss in Song Lyrics
- 2. Radical Antiquarianism: Chen Sanli and His Poetic Response to Cultural Crisis
- PART II: THE LURE OF INTELLECTUAL ELEGANCE: POETRY AS SOCIAL PRACTICE
- 3. Contested Fengya: Loyalists and Classical-Style Poetry Clubs
- 4. A Lonely Enterprise: Classical Poetry and New Means of Cultural Production
- PART III: LIGHTING THE MODERN TORCH WITH ANCIENT FIRE: TRAVELING POETICS
- 5. Refeminizing Modern Space: Lü Bicheng and Her Overseas Lyrics
- 6. O My Love Is Like a Red Red Rose: Classical Form and Translation
- Epilogue: Translations of Tradition
- Selected Bibliography
- Index
- Harvard-Yenching Institute Monograph Series