Post-specimen encounters between art, science and curating : rethinking art practice and objecthood through scientific collections /
Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking abou...
Clasificación: | Libro Electrónico |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bristol, UK :
Intellect,
2020.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- Acknowledgements
- Introduction
- Notes
- References
- 1 Narratives of the 'Fetish'
- Acknowledgements
- Notes
- References
- 2 Curating Interobjectively in Museums
- 'A Scientific Encounter': Envisaging the Myth of the Museum
- The Museum's Omniscience
- Presenting Objects in the Academy: The Poetics of Academic Space
- Towards an Interobjective Curatorial Practice: Exercises in Diplomacy
- The Collection as Collectivity-'How to Redefine the Collectives?'
- Three Scenes from an Exhibition
- Object Encounter #1: Kelly Richardson and Annibale Carracci
- Object Encounter #2: Murray Ballard and Anon.
- Object Encounter #3: Daniel Brown and Jan Breughel
- Notes
- 3 'A Readiness to Find What Surrounds Us Strange and Odd': Objects in the Alternative Curiosity Museum
- Museums: Laboratories of the Marvellous?
- Cabinets of Curiosities: 'Boudoirs Earmarked for Experts'?
- Museum of Jurassic Technology: A Detective Challenge
- Museum der Unerhörten Dinge: 'A Literary Wunderkammer'
- Wonder in the Face of Abundance or Wonder in the Face of Rarity?
- The Alternative Curiosity Museum as 'Wild Museum'
- Musée de la Chasse et de la Nature: Wonder and Critical Awareness
- Château d'Oiron: Curiosity and Multisensory Engagement
- Curiosity as a Way of Seeing, Thinking and Caring
- Notes
- References
- 4 Art, Science and the Mutant Object
- The Live Specimen
- Mutant Objects
- Neither Animal, Nor Vegetable Nor Mineral
- Notes
- References
- 5 Blind Summit/Models of Subjectivity: Surrealism, Physics and Psychoanalysis
- Notes
- References
- 6 Glimpsed Phantoms of Sensation
- Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Christine Borland's Cet être-là, c'est à toi de le créer!
- Notes
- References
- 7 ... as far back as I will remember
- Jardin des Plantes, Montpellier, South of France
- Call Me by My Name
- From Alexandria to Carthage
- Life's Rich Pageant
- Better Living through Chemistry
- Pansexuality
- I, post-specimen
- I, superspecies
- Living in the Homogecene
- Acknowledgements
- Notes
- References
- 8 Poetry and the Pathology Museum: A Model of Difference
- Notes
- References
- 9 The Scientist and the Magician
- Introduction
- A Compendium of Vignettes, or, Imagining-and Imaging-'Energy'
- Deus ex machina: From the Magic Lantern to the Layden Jar
- #1: A First Experiment-Imagining Electricity
- Reflecting upon the Presence of Magic in Artwork, and Artistry of Magic and Science: Some Inconclusive Conclusions
- Notes
- References
- 10 Choosing, Unpicking and Connecting: On Drawing Museum Objects
- Choosing
- Unpicking
- Connecting
- Notes
- References