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|a UAMI
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|a Perucci, Tony,
|e author.
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|a Paul Robeson and the Cold War performance complex :
|b race, madness, activism /
|c Tony Perucci.
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|a Ann Arbor :
|b University of Michigan Press,
|c [2012]
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|a Theater--theory/text/performance
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|a Includes bibliographical references and index.
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|a Introduction: the red mask of sanity -- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft -- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance -- Discordant tones and the melody of freedom at Peekskill -- Anticommunism and the American lynching imagination -- Shedding blood and beating back fascists -- Staging anticommunism, staging racist violence -- Coda: the complex and the rupture.
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|a Print version record.
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|f Restrictions unspecified
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|b [Place of publication not identified] :
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|d 2011.
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|a English.
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|a Robeson, Paul,
|d 1898-1976
|x Political activity.
|
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|a United States.
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|b House.
|b Committee on Un-American Activities.
|
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|a Robeson, Paul,
|d 1898-1976
|2 fast
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|a United States.
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|b House.
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|a Performance art
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|t Paul Robeson and the Cold War performance complex.
|d Ann Arbor : University of Michigan Press, ©2012
|z 9780472071685
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