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Oppression and resistance : structure, agency, transformation /
Theoretical and ethnographical approaches examine symbolic interactionism's ability to deploy the concepts of structure and agency in sociological explanation. It illuminates the dialectic of oppression and resistance in everyday life, illustrating that actors make meaning through resistance.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bingley, U.K. :
Emerald Publishing Limited,
2017.
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| Colección: | Studies in symbolic interaction ;
48. |
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Front Cover; Oppression and Resistance: Structure, Agency, Transformation; Copyright Page; Contents; List of Contributors; Acknowledgements; Introduction; Oppression and Resistance: A Structure-and-Agency Perspective; Oppression; Structure; Agency; Structure and Agency; Forms of Oppression; Class Exploitation; Superiority Delusions; White Supremacy; Male Supremacy; Epistemological Imperialism; Epistemological Emancipation and Resistance; Social Justice and Transformation; Conclusion; Notes; Acknowledgment; References.
- Behind Closed Doors: Organizational Secrecy, Stigma, and Sex Abuse within the Catholic ChurchJust a Few "Bad Apples?"; Stigma and Information Management; The Stigmatized Organization and the Control of Discrediting Information; A Note on Methodology; Sex Abuse and Organizational Secrecy within the Catholic Church; Secrecy and the Discreditable Church; The Role of the Bishop and Canon Law; Structural Resources and the Maintenance of Secrecy; Losing Control of the Secret; Rumors and Empowerment: A Discussion of Organizational Secrecy and Stigma; Notes; References.
- "Black Man/White Tower": A Performative Film Autocritography"To Sir With Love"; Selling the Black Dean; "Dangerous Minds"; A Principle of Color; "Lean on Me"; "So you're the head nigger in charge?"; "Stand and Deliver" and "The Great Debaters"; Story # 1: A Lesson on Juxtapositions; Story #2: Walking the Dog/Being the Dog; Reasons to Stay; Notes; References; Films; Transforming Identities of Illness through Aesthetic Narrative Collaboration; Uncharted Territory; Narrative as a Tool for Patients; Narrative Theatre Strategies for the Patient and Health Professional; Audience as Spect-Actor.
- Discovering Metaphors of Self through Creative Collaboration with OthersBeginning the Journey; Developing Sensory Sculptures of the Self through Found Materials; Exploring Visual Awareness of Self and Other in the Mirror Sequence; Experimenting with Tempos of Self-Awareness through Rhythmic Patterns of Flow and Disruption; Honoring the Source of Energy within the Self; Bifurcating the Performing Self to Explore Layers Within; Creating Choric Voices: The Self within a Social World; Mapping a Narrative Journey: Pointers for the Guide; Destinations; Explorations; A Possible Itinerary; Session 1.
- Session 2Session 3; Session 4; Session 5; Session 6; Session 7; After-Math; Acknowledgments; References; Power, Emergence, and the Meanings of Resistance: Open access Scholarly Publishing in Canada; Introduction; Symbolic Interaction, Power, and Emergence; Open Access Scholarly Publishing: A Brief History of Emergent Events; Methods and Data; Research Findings: Open Access as Resistance; Resisting Capitalist Profit Motives; Resisting Access Barriers to Audiences; Resisting Access Barriers to Contributors; Challenging Academic Publication Norms; Conclusion; Notes; Acknowledgment; References.