A Companion to Ancient Greek and Roman Music

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lynch, Tosca A. C.
Otros Autores: Rocconi, Eleonora
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : John Wiley & Sons, Incorporated, 2020.
Colección:Blackwell Companions to the Ancient World Ser.
Temas:
Music, Greek and Roman > History and criticism.
Music, Greek and Roman > Philosophy and aesthetics.
Music, Greek and Roman
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • List of Illustrations
  • Notes on Contributors
  • Abbreviations
  • Acknowledgments
  • Introduction
  • The Ancient Notion of Mousikē
  • The Organization of This Companion
  • Notes
  • References
  • Part 1 Mythical Paradigms
  • Chapter 1 The Mythology of the Muses
  • Harmony, Pleasure, and Power
  • Memory
  • Performance, Consolation, and Mortality
  • Notes
  • Further Reading
  • References
  • Chapter 2 Apollo and Music
  • Apollo in His Mediterranean Context
  • Apolline Music and Myth
  • Instruments
  • Genres
  • Locations
  • Apollo and Swans
  • Civic Harmony
  • Philosophy, Apollo's Powers: Bows, Prophecy
  • Total Music: The Roman Empire
  • Notes
  • References
  • Chapter 3 Dionysus and the Ambiguity of Orgiastic Music
  • Introduction
  • The Features of Dionysian Music
  • Dionysus, Orgiasm, and Phrygian Harmonia
  • Dionysus and the Muses
  • Dionysus and the Invention of the Tympana
  • Conclusion
  • Notes
  • Further Reading
  • References
  • Chapter 4 Pan and the Music of Nature
  • A Hybrid, Lustful, Musical God
  • Pan's Inscape and the Soundscape
  • Pan's Alternatives: Pastoral and Materialism
  • Conclusion
  • Notes
  • References
  • Chapter 5 Musical Heroes
  • Magical Music: Orpheus, Arion, Amphion
  • String Music in Myth: Musaeus and Linus
  • Wind Music in Myth: The Phrygian Triad
  • Music of Love and Beauty: Thamyris, Phaon, Adonis
  • Conclusions
  • Notes
  • Further Reading
  • References
  • Chapter 6 Musical Metamorphoses in the Roman World
  • General Considerations
  • Syrinx
  • Apollo and Pan
  • Polyphemus
  • Marsyas
  • Notes
  • Further Reading
  • References
  • Part 2 Contexts and Practices
  • Chapter 7 Ancient Musical Performance in Context: Places, Settings, and Occasions
  • Occasional Places: A Topographical Survey
  • Architectural Spaces: The Equipment for Musical Performances and the Invention of the Theatrical Buildings
  • A Case Study: Apollo's Sanctuary in Delphi (Phocis)
  • Conclusions
  • Further Reading
  • References
  • Chapter 8 Documenting Music
  • The Material Media of Ancient Scores
  • Contexts and Usages of Documents with Musical Notation
  • Distinguishing Features of Ancient Musical Documents and the Case of P.Oslo inv. 1413
  • Music Without Scores? Oral Tradition and Writing
  • Notes
  • Further Reading
  • References
  • Chapter 9 Visualizing Music
  • Challenges of Creation
  • Challenges of Interpretation
  • New Directions in Musical Iconography
  • Acknowledgments
  • Further Reading
  • References
  • Chapter 10 Music in Classical Greek Drama
  • Vocal Mousikē in Classical Greek Drama
  • The Aulos and Other Musical Instruments
  • Dance
  • The Grammar of Dramatic Mousikē: Meters, Rhythms, and Harmoniai
  • Development of Drama in Later Classical Age
  • Notes
  • Further Readings
  • References
  • Chapter 11 Music in Roman Drama
  • The Ubiquity of Music
  • Music and Text
  • Notes
  • Further Reading
  • References
  • Chapter 12 Ancient Greek Choreia
  • Defining Choreia

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