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Radically rethinking copyright in the arts a philosophical approach /
"This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of arts to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: 1) creativity is restricted...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Routledge,
2020.
|
| Colección: | Routledge Research in Aesthetics Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1162501282 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | | ||
| 007 | cr ||||||||||| | ||
| 008 | 200615s2020 enk fob 001 0 eng d | ||
| 040 | |a UKAHL |b eng |e rda |e pn |c UKAHL |d OCLCO |d EBLCP |d UEJ |d OCLCO |d OCLCF |d OCLCO |d UKAHL |d OCLCO |d SFB |d OCLCQ |d OCLCO | ||
| 019 | |a 1159165069 | ||
| 020 | |a 9781000179330 |z 9781000179330 (PDF ebook) |q (e-book) | ||
| 020 | |a 1000179338 | ||
| 035 | |a (OCoLC)1162501282 |z (OCoLC)1159165069 | ||
| 050 | 0 | 0 | |a K1460 |
| 082 | 0 | 4 | |a 346.04/82 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Young, James O., |d 1957- |e author. | |
| 245 | 1 | 0 | |a Radically rethinking copyright in the arts |b a philosophical approach / |c James O. Young. |
| 264 | 1 | |a London : |b Routledge, |c 2020. | |
| 300 | |a 1 online resource | ||
| 490 | 1 | |a Routledge Research in Aesthetics Ser. | |
| 505 | 0 | |a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication Page -- Contents -- Preface -- Glossary of Technical Terms -- 1 The Problems and the Keys to Their Solutions -- Contemporary Intellectual Property Regimes -- Problems -- Solutions -- 2 Ontology of Artworks -- Ways That Artworks Exist -- Artwork Patterns -- Parts of Artworks -- Artistic Elements -- Idea and Expression -- Types of Appropriation -- 3 Copyright and Its Limits -- On What Can Be Owned -- Copyright Terms Ought Not to Be Perpetual -- Copyright Terms Ought to Be Short -- Transfer of Copyright | |
| 505 | 8 | |a Work for Hire and Corporate Copyright -- Abandoned Copyright -- Copyright Terms: A Proposal -- Artists' Moral Rights -- 4 Token Appropriation -- Token Appropriation: Some Thought Experiments -- Token Appropriation and the Law -- 5 Pattern Appropriation -- Pattern Appropriation: The Uncontroversial Cases -- Pattern Appropriation and Concrete Individuals -- Appropriation of Commonplace Patterns -- Patterns Derived From Reality -- Sampling -- No Harm, No Foul -- Fan Fiction -- Adaptations -- Public Performance Fees -- 6 Appropriation of Artistic Elements -- Fictional Characters | |
| 505 | 8 | |a Characters and Trademarks -- Patents and Fictional Characters -- Plots -- Appropriation of Styles -- Appropriation of Indigenous Peoples' Artistic Elements -- Conclusion and Summary of Recommendations -- Conclusion -- Summary of Recommendations -- Select Bibliography -- Index | |
| 520 | |a "This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of arts to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: 1) creativity is restricted and 2) they primarily serve the interests of large corporations over the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern-types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics & philosophy of art, metaphysics, philosophy of law, and intellectual property law"-- |c Provided by publisher. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Copyright |x Art. | |
| 650 | 0 | |a Copyright |x Philosophy. | |
| 650 | 6 | |a Droit d'auteur |x Art. | |
| 650 | 6 | |a Droit d'auteur |x Philosophie. | |
| 650 | 7 | |a Copyright |2 fast | |
| 655 | 7 | |a Art |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Young, James O. |t Radically Rethinking Copyright in the Arts : A Philosophical Approach |d Milton : Taylor & Francis Group,c2020 |z 9780367521837 |
| 830 | 0 | |a Routledge Research in Aesthetics Ser. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6226727 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37373641 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37373639 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6226727 | ||
| 994 | |a 92 |b IZTAP | ||