Rematerializing Colour From Concept to Substance.

Colour is largely assumed to be already in the world, a natural universal that everyone, everywhere understands. Yet cognitive scientists routinely tell us that colour is an illusion, and a private one for each of us; neither social nor material, it is held to be a product of individual brains and e...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Young, Diana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Canon Pyon : Sean Kingston Publishing, 2018.
Temas:
Color.
Color > Psychological aspects.
Color > Social aspects.
Color in art.
Aesthetics.
Color
Couleur.
Couleur > Aspect psychologique.
Couleur > Aspect social.
Couleur dans l'art.
color (perceived attribute)
Aesthetics
Color in art
Color > Psychological aspects
Color > Social aspects
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Contents
  • Introduction
  • 1
  • Does colour matter?: an affordance perspective (Alan Costall)
  • 2
  • Pink cake, red eyes, coloured photos: desire, loss and Aboriginal aesthetics in northern Australia (Jennifer Deger)
  • 3
  • How much longer can the Berlin and Kay paradigm dominate visual semantics?: English, Russian and Warlpiri seen 'from the native's point of view' (Anna Wierzbicka)
  • 4- Cinematographic encounters with natural-light colour (Cathy Greenhalgh)
  • 5
  • Iridescence Peter Sutton and Michael Snow
  • 6
  • Colour as the edge of the body: colours as space-time in the east of the Western Desert (Diana Young)
  • 7
  • The role of colour in a period when cultures crossed Paintings from Central Australia from the 1930s to 1980 (Mary Eagle)
  • 8
  • Notes on the hapticity of colour (Jennifer L. Biddle)
  • 9
  • Paint as power among Kuninjku artists (Luke Taylor)
  • 10
  • Problems translating colour terms (Barbara Saunders)
  • Contributors
  • Index

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