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Religion and Prison Art in Ming China (1368-1644) : Creative Environment, Creative Subjects /
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden ; Boston :
Brill,
[2020]
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| Colección: | Brill research perspectives. Religion and the arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Religion and Prison Art in Ming China (1368-1644) Creative Environment, Creative Subjects
- Abstract
- Keywords
- Cast of Characters
- Introduction
- The Ming Prison as a Creative Environment
- Defamiliarizing the Familiar-or-Why Poetry?
- Chinese Religion as an Art of Life-or-Why the Art of Living?
- Format, Contents, and the Structure of the Volume
- Part 1
- 1 Creative Nature and the Calendar in Prison Poetry
- 1.1 The Agricultural Calendar: Lichun (the Establishment of Spring) and Liqiu (the Establishment of Autumn)
- 1.2 The Social Calendar
- 1.2.1 The New Year
- 1.2.2 Duanwu (the Fifth Day of the Fifth Month) and Chongyang(the Ninth Day of the Ninth Month)
- 1.3 The Personal Calendar
- 1.3.1 Days for the Dead
- 1.3.2 Birthdays
- 2 The Self in Nature, Ritual, and Poetry
- 2.1 Self-Cultivation and Nature
- 2.2 Self-Cultivation and Poetry
- Part 2
- 3 The Literati Art of Living in Confinement
- 3.1 The Zither
- 3.2 Flowers and Trees
- 3.3 Visual Art
- 3.3.1 Appreciating Paintings
- 3.3.2 Portraits
- 3.3.3 Calligraphy
- 4 The Art of Living: Nourishing Life, Transcending the Form
- 4.1 Imagetext and the Shape of Life
- 4.2 The Art of Living and the Religion of the People
- Acknowledgments
- Bibliography