Cargando…
Storytelling in opera and musical theater /
"Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinem...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2020]
|
| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1145082361 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 200303s2020 inu ob 001 0 eng | ||
| 010 | |a 2020010919 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCQ |d OCLCF |d YDX |d JSTOR |d N$T |d YDX |d TXM |d RECBK |d EBLCP |d OWS |d WAU |d TEFOD |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1227469190 |a 1238408615 |a 1294375835 | ||
| 020 | |a 9780253049988 |q electronic book | ||
| 020 | |a 0253049989 |q electronic book | ||
| 020 | |a 9780253052421 |q electronic book | ||
| 020 | |a 0253052424 |q electronic book | ||
| 020 | |z 9780253049971 |q paperback | ||
| 020 | |z 9780253049964 |q hardcover | ||
| 029 | 1 | |a AU@ |b 000066960506 | |
| 035 | |a (OCoLC)1145082361 |z (OCoLC)1227469190 |z (OCoLC)1238408615 |z (OCoLC)1294375835 | ||
| 037 | |a 22573/ctv177433x |b JSTOR | ||
| 037 | |a 1E24CE48-C566-44BC-97B2-F136E2EC163D |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a ML1700 |b .P46 2020 |
| 072 | 7 | |a MUS |x 000000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 028000 |2 bisacsh | |
| 072 | 7 | |a PER |x 019000 |2 bisacsh | |
| 072 | 7 | |a PER |x 013000 |2 bisacsh | |
| 072 | 7 | |a PHI |x 039000 |2 bisacsh | |
| 082 | 0 | 0 | |a 782.1 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Penner, Nina, |e author. | |
| 245 | 1 | 0 | |a Storytelling in opera and musical theater / |c Nina Penner. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2020] | |
| 300 | |a 1 online resource (xxvi, 281 pages) : |b illustrations, notated music. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Overture -- What Is a Narrative? -- Telling, Operatically -- Character-Narrators -- Orchestral Narration and Authorial Commentary -- Character-Focused Narration -- Works and Performances -- Performances of Works -- Performances as Works -- Finale. | |
| 520 | |a "Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, she offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st century audiences"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on October 13, 2020). | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Opera. | |
| 650 | 0 | |a Musical theater. | |
| 650 | 0 | |a Storytelling. | |
| 650 | 6 | |a Théâtre musical. | |
| 650 | 6 | |a Art de conter. | |
| 650 | 7 | |a MUSIC / General |2 bisacsh | |
| 650 | 7 | |a Musical theater |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
| 650 | 7 | |a Storytelling |2 fast | |
| 758 | |i has work: |a Storytelling in opera and musical theater (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGp3thrF3fpYvFVr7XwWfy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Penner, Nina. |t Storytelling in opera and musical theater |d Bloomington : Indiana University Press, 2020. |z 9780253049971 |w (DLC) 2020010918 |
| 830 | 0 | |a Musical meaning and interpretation. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=6357215 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6357215 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00832281 | ||
| 938 | |a YBP Library Services |b YANK |n 16981139 | ||
| 938 | |a EBSCOhost |b EBSC |n 2633643 | ||
| 994 | |a 92 |b IZTAP | ||