Cargando…

A new and concise history of rock and R&B through the early 1990s /

"This book about rock and R&B lays out key theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Charry, Eric S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Middletown, CT : Wesleyan University Press, [2020]
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 EBOOKCENTRAL_on1129404007
003 OCoLC
005 20240329122006.0
006 m o d
007 cr |||||||||||
008 191122s2020 ctua ob 001 0 eng
010 |a  2019053823 
040 |a DLC  |b eng  |e rda  |c DLC  |d OCLCO  |d OCLCF  |d YDX  |d OCLCQ  |d EBLCP  |d MYG  |d OWS  |d OCLCO  |d N$T  |d UKAHL  |d OCLCQ  |d INARC  |d OCLCO 
019 |a 1352021519 
020 |a 0819578967  |q electronic book 
020 |a 9780819578969  |q (electronic bk.) 
020 |z 9780819578952  |q paperback 
029 1 |a AU@  |b 000066610300 
035 |a (OCoLC)1129404007  |z (OCoLC)1352021519 
042 |a pcc 
050 0 0 |a ML3534  |b .C454 2020 
082 0 0 |a 781.6409  |2 23 
049 |a UAMI 
100 1 |a Charry, Eric S.,  |e author. 
245 1 2 |a A new and concise history of rock and R&B through the early 1990s /  |c Eric Charry. 
264 1 |a Middletown, CT :  |b Wesleyan University Press,  |c [2020] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "This book about rock and R&B lays out key theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on April 17, 2020). 
505 0 |a Cover -- A NEW AND CONCISE HISTORY OF ROCK AND R&B THROUGH THE EARLY 1990s -- Title -- Copyright -- CONTENTS -- List of Figures -- Acknowledgments -- Introduction -- I HISTORY -- 1 Music Industry, Media, and Technology -- Copyright -- The Recording Industry -- Radio and Television -- Magazines, Charts, and Industry Awards -- Technology -- 2 1920s-1950s -- Tin Pan Alley -- Blues -- Rhythm and Blues -- R&B Music and Society -- Gospel -- Country -- 3 1954-1959: Early Rock and Roll -- The Media -- Youth Culture -- Naming a Style -- Crossovers -- Covers -- Five Primary Styles 
505 8 |a Northern Band Rock and Roll -- New Orleans Dance Blues -- Memphis Rockabilly -- Chicago Rhythm and Blues -- Vocal Groups (Doo Wop) -- Payola -- Social Impact -- 4 1960-1964 -- Independent Producers, the Brill Building, and Teen Idols -- Girl Groups -- Motown -- Urban Folk Revival -- The Beach Boys and Surf Rock -- The Beatles and the British Invasion -- Soul -- 5 1965-1969 -- Cross-Fertilization -- Folk Rock -- Psychedelic Rock -- Experimental, Underground, and Protopunk -- Women and 1960s Rock -- Funk -- Rock Guitar -- Rock Festivals, 1967-1969 -- Rock Journalism -- End-of-Decade Trends 
505 8 |a 6 1970s -- Funk in the 1970s -- Progressive Rock -- Glam Rock -- Hard Rock -- Singer-Songwriters -- Country Rock -- Stevie Wonder -- Disco -- Punk -- New Wave -- Women and 1970s Rock -- Jazz Rock -- End-of-Decade Moment -- 7 1980s -- Hip Hop -- Misogynist Lyrics in Hip Hop -- Epidemic, Economics, and Incarceration -- Heavy Metal -- Second British Invasion -- Superstars: Michael Jackson, Prince, and Madonna -- Band Aid, "We Are the World," and Live Aid -- Parents Music Resource Center -- Alternative, Indie Rock, and Hardcore -- Electronic Dance Music -- Into the 1990s -- II FIGURES 
505 8 |a III INTERPRETIVE FRAMEWORKS -- 8 Identities -- Youth -- Gender and Sexuality -- Race and Ethnicity -- Blackness -- Whiteness -- Latino, Chicano, and Native American -- Demographics -- 9 Aesthetic Preferences and Sonic Markers -- European and European American Music -- African and African American Music -- Latin American Music -- 10 When Cultures Cross -- Marian Anderson and Bob Dylan -- A Spectrum: Four Examples -- Cultural Appropriation -- 11 Researching and Studying Rock and R&B -- Sources -- Themes -- Glossary -- Melody, Chord, Harmony, Tonality, and Overtones 
505 8 |a Rhythm, Beat, Tempo, Meter, Measure and Bar, and Repertory -- Verse and Chorus -- References -- Bibliography (Print, Online Articles and Websites, Radio Programs) -- Discography -- Filmography/Videography -- Index 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Rock music  |x History and criticism. 
650 0 |a Rhythm and blues music  |x History and criticism. 
650 6 |a Rock (Musique)  |x Histoire et critique. 
650 7 |a Rhythm and blues music  |2 fast 
650 7 |a Rock music  |2 fast 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Charry, Eric S..  |t A new and concise history of rock and R&B through the early 1990s  |b [First.]  |d Middletown : Wesleyan University Press, 2020.  |z 9780819578952  |w (DLC) 2019053822 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=29039988  |z Texto completo 
938 |a Internet Archive  |b INAR  |n newconcisehistor0000char 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL29039988 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6198956 
938 |a EBSCOhost  |b EBSC  |n 3151800 
938 |a Askews and Holts Library Services  |b ASKH  |n AH36992585 
994 |a 92  |b IZTAP