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Reggae from YAAD
"Reggae and Dancehall music and culture have travelled far beyond the shores of the tiny island of Jamaica to find their respective places as new genres of music and lifestyle. [This volume] pulls together a remarkable cast of contributors offering contemporary interpretations of the history, c...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Kingston :
Ian Randle Publishers,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Table ofContents
- Acknowledgements
- Introduction
- Section 1 Legendary Reasonings
- 'Bob Marley: The Man that I Know'
- 'Production Something': David Katz in Conversation with Bunny 'Striker' Lee, King Jammy and Bobby Digital
- Section 2 Discourses Beyond Yaad
- Expressions of Reggae in Havana: Processes of Foreign Influence and Cultural Appropriation
- 'You've got no time for me': Martin 'Sugar' Merchant, British Caribbean Musical Identity and the Media
- Section 3 Discursive Pathways in Jamaican popular Music
- Freedom Sound: Music of Jamaica's Independence
- Your Name A Mention: Media Coverage of Clashes/Feuds in Jamaican Popular Music 1970-2010
- From Dub Plate to Dancehall: Versioning as an Analogue Template for Digital Reggae
- Section 4 Dancehall Matters
- Between 'Murder Music'1 and 'Gay Propaganda'2: Policing Respectability in the Debate on Homophobic Dancehall
- Good, Good Goodas Gyal: Deconstructing the Virtuous Woman in Dancehall
- The Lyrical Opus of Tommy Lee Sparta: Masculinity, Violence, Sexuality and Conflict
- List of Contributors
- Index