|
|
|
|
LEADER |
00000cam a2200000Mu 4500 |
001 |
EBOOKCENTRAL_on1129220922 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n|---||||| |
008 |
200321s2015 xx o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d REDDC
|d OCLCF
|d OCLCO
|d OCLCL
|
020 |
|
|
|a 9789766378981
|
020 |
|
|
|a 9766378983
|
035 |
|
|
|a (OCoLC)1129220922
|
050 |
|
4 |
|a ML3532.R44 2015
|
082 |
0 |
4 |
|a 781.646
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Hope, Donna P.
|
245 |
1 |
0 |
|a Reggae from YAAD
|
260 |
|
|
|a Kingston :
|b Ian Randle Publishers,
|c 2015.
|
300 |
|
|
|a 1 online resource (231 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Intro -- Table ofContents -- Acknowledgements -- Introduction -- Section 1 Legendary Reasonings -- 'Bob Marley: The Man that I Know' -- 'Production Something': David Katz in Conversation with Bunny 'Striker' Lee, King Jammy and Bobby Digital -- Section 2 Discourses Beyond Yaad -- Expressions of Reggae in Havana: Processes of Foreign Influence and Cultural Appropriation -- 'You've got no time for me': Martin 'Sugar' Merchant, British Caribbean Musical Identity and the Media -- Section 3 Discursive Pathways in Jamaican popular Music -- Freedom Sound: Music of Jamaica's Independence
|
505 |
8 |
|
|a Your Name A Mention: Media Coverage of Clashes/Feuds in Jamaican Popular Music 1970-2010 -- From Dub Plate to Dancehall: Versioning as an Analogue Template for Digital Reggae -- Section 4 Dancehall Matters -- Between 'Murder Music'1 and 'Gay Propaganda'2: Policing Respectability in the Debate on Homophobic Dancehall -- Good, Good Goodas Gyal: Deconstructing the Virtuous Woman in Dancehall -- The Lyrical Opus of Tommy Lee Sparta: Masculinity, Violence, Sexuality and Conflict -- List of Contributors -- Index
|
520 |
|
|
|a "Reggae and Dancehall music and culture have travelled far beyond the shores of the tiny island of Jamaica to find their respective places as new genres of music and lifestyle. [This volume] pulls together a remarkable cast of contributors offering contemporary interpretations of the history, culture, significance and social dynamics of Jamaican Popular Music from varying geographical and disciplinary locations"--Back cover.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Reggae music
|v Congresses.
|
650 |
|
6 |
|a Reggae
|v Congrès.
|
650 |
|
7 |
|a Reggae music
|2 fast
|
655 |
|
7 |
|a Conference papers and proceedings
|2 fast
|
758 |
|
|
|i has work:
|a Reggae from yaad (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFW8kg7Y4Qrjqcr7bymgYX
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Hope, Donna P.
|t Reggae from YAAD: Traditional and Emerging Themes in Jamaican Popular Music.
|d Kingston : Ian Randle Publishers, ©2015
|z 9789766378912
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5986604
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5986604
|
994 |
|
|
|a 92
|b IZTAP
|