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|a Redefining theatre communities :
|b international perspectives on community-conscious theatre-making /
|c edited by Marco Galea and Szabolcs Musca.
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|a Bristol, UK :
|b Intellect Books,
|c 2019.
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|a 1 online resource (ix, 262 pages) :
|b illustrations
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO; viewed November 20, 2019)
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|a Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
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|a Table of Figures Acknowledgements Introduction Marco Galea and Szabolcs Musca PART I: Theatre Communities: Traces, Places and Belonging Communal Solidarity and Amateur Theatre in Post-Revolutionary Russia: Theoretical Approaches - Stefan Aquilina Theatre in Malta: Which Spaces Does the Community Occupy? - Vicki Ann Cremona and Ruben Paul Borg Performance, Dislocation and Spirituality: Adrift Together - Zoe Zontou PART II: Performing Communal Identities: Ethics,
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|a Ethics and Affect in Contemporary British Rewritings of Ancient Tragedies - Maria Elena Capitani Living and Working in Tepantor: Understanding Political Theatre and the Community- Pujya Ghosh Bodies Without Organs and Organs Without Bodies: The Maltese Experience of Creating National Theatres - Marco Galea PART III: 'Glocal' Representations of Theatre Communities Local and Global Stages: Translating Communities in Hybrid Cultural Spaces -Szabolcs Musca The Economic Communities of the Edinburgh August Festivals: An Exclusive 'Global Sense of Place' and an Inclusive 'Local Sense of Space' - Evi Stamatiou Strategies of Empowerment: Postmigrant Theatre at the Ballhaus Naunynstrasse - Hasibe Kalkan PART IV: Creative Encounters: Changing Ecologies Community and Ownership: Uncovering New Voices at the Royal Court Theatre - Mark O'Thomas in conversation with Vicky
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|a Featherstone UrbanDig Project: Theatre for Neighbourhoods - Zoe Zontou in conversation with George Sachinis Community Theatre as Political Theatre: Towards a New Political Theatre Practice - Marius Bogdan Tudor and Ionuț Sociu in conversation with David Schwartz PART V: Emerging Practices: Connecting Through the Digital and the Verbatim New Technologies for a New Audience? Using Transmedia Storytelling towards a New Experience Design Form - Ágnes Bakk Manipulation of Reality Through an Interactive Game: Remote X as an Example of New Modes of Spectatorship - Nad'a Satkova Feeding Back: Verbatim Theatre and/as Communal Practice - Bettina Auerswald Conclusion Marco Galea and Szabolcs Musca Notes on Contributors
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Community theater.
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|a Musca, Szabolcs,
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|i has work:
|a Redefining theatre communities (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCY7fpRW8fP3rh47GJGwRVd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Redefining theatre communities.
|d Bristol, UK : Intellect ; Chicago, USA : University Of Chicago Press, 2019
|z 1789380766
|w (OCoLC)1090169113
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