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Redefining theatre communities : international perspectives on community-conscious theatre-making /

Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores chang...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Galea, Marco (Editor ), Musca, Szabolcs (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol, UK : Intellect Books, 2019.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Redefining theatre communities :  |b international perspectives on community-conscious theatre-making /  |c edited by Marco Galea and Szabolcs Musca. 
264 1 |a Bristol, UK :  |b Intellect Books,  |c 2019. 
300 |a 1 online resource (ix, 262 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
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520 |a Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship. 
505 0 |a Table of Figures Acknowledgements Introduction Marco Galea and Szabolcs Musca PART I: Theatre Communities: Traces, Places and Belonging Communal Solidarity and Amateur Theatre in Post-Revolutionary Russia: Theoretical Approaches - Stefan Aquilina Theatre in Malta: Which Spaces Does the Community Occupy? - Vicki Ann Cremona and Ruben Paul Borg Performance, Dislocation and Spirituality: Adrift Together - Zoe Zontou PART II: Performing Communal Identities: Ethics, 
505 0 |a Ethics and Affect in Contemporary British Rewritings of Ancient Tragedies - Maria Elena Capitani Living and Working in Tepantor: Understanding Political Theatre and the Community- Pujya Ghosh Bodies Without Organs and Organs Without Bodies: The Maltese Experience of Creating National Theatres - Marco Galea PART III: 'Glocal' Representations of Theatre Communities Local and Global Stages: Translating Communities in Hybrid Cultural Spaces -Szabolcs Musca The Economic Communities of the Edinburgh August Festivals: An Exclusive 'Global Sense of Place' and an Inclusive 'Local Sense of Space' - Evi Stamatiou Strategies of Empowerment: Postmigrant Theatre at the Ballhaus Naunynstrasse - Hasibe Kalkan PART IV: Creative Encounters: Changing Ecologies Community and Ownership: Uncovering New Voices at the Royal Court Theatre - Mark O'Thomas in conversation with Vicky 
505 0 |a Featherstone UrbanDig Project: Theatre for Neighbourhoods - Zoe Zontou in conversation with George Sachinis Community Theatre as Political Theatre: Towards a New Political Theatre Practice - Marius Bogdan Tudor and Ionuț Sociu in conversation with David Schwartz PART V: Emerging Practices: Connecting Through the Digital and the Verbatim New Technologies for a New Audience? Using Transmedia Storytelling towards a New Experience Design Form - Ágnes Bakk Manipulation of Reality Through an Interactive Game: Remote X as an Example of New Modes of Spectatorship - Nad'a Satkova Feeding Back: Verbatim Theatre and/as Communal Practice - Bettina Auerswald Conclusion Marco Galea and Szabolcs Musca Notes on Contributors 
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