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The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Milton :
Routledge,
2019.
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| Colección: | Routledge International Handbooks Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Series Page; Title Page; Copyright Page; Table of Contents; List of contributors; Introduction; Part I: the emerging global digital GLAM sector; Part II: animating the archive; Part III: designing engaged experiences; Part IV: locating in place; Note; References; Framing interviews; 1. Interview with Seb Chan; Interviewed by Hannah Lewi and Wally Smith; Notes; 2. Interview with Dave Patten; Interviewed by Wally Smith and Dirk vom Lehn; The Sketchbot, the Science Museum, 2013; 3. Interview with Rory Hyde; Interviewed by Dirk vom Lehn and Wally Smith
- The Future Starts Here exhibition 2018, V 4. Interview with Keir Winesmith; Interviewed by Hannah Lewi and Wally Smith; Notes; References; PART I: The emerging global digital GLAM sector; 5. Theorising heritage collection digitisations in global computational infrastructures; Introduction; Breaking the material, immaterial binary: the first theoretical move; The parent and the digitisation as related, overlapping, non-identical assemblages: thesecond theoretical move; Digitisations as ecological compositions in global computational infrastructures: the third theoretical move
- Users and curatorial agency as more-than- and other-than-human ecological alliancesConclusions; References; 6. The networked image: the flight of cultural authority and the multiple times and spaces of the art museum; Introduction; What happens in the space of the museum?; The digital as tool; The digital as medium; The academy and the condition of knowledge; The networked image and the digital condition; The post-digital perspective; The museum's audience and the paradoxical present; Contemporaneity, modernism and heritage; Technological obsolescence
- What is at stake: the art museum in the age of the AnthropoceneReferences; 7. The distributed museum is already here: it's just not very evenly distributed; Three descriptions of the distributed museum; Five further digital dialectics; Change v. transformation; Tradition v. design; Hierarchy v. network (or arborescence v. rhizome); Literacy v. fluency; Values v. culture; Conclusion; Notes; References; 8. Speculative collections and the emancipatory library; Notes; References
- 9. Digital heritage profile in China's museums: an evaluation of digital technology adoption in cultural heritage institutionsIntroduction; What is the point of the augmented experience in cultural heritage institutions?; The development of AR and VR technologies in Westerncultural institutions; Technological enhancement in the Chinese museum; Categories of digital technologies mentioned in the questions; Findings; Conclusion; References; 10. Hacking heritage: understanding the limits of online access; The promise of online access; The limits of online access; Search engines lie