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Animation /
From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary comp...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2019]
|
| Colección: | Behind the silver screen (Series) ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Animation / |c edited by Scott Curtis. |
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| 300 | |a 1 online resource (ix, 231 pages) : |b illustrations | ||
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| 490 | 1 | |a Behind the silver screen ; |v 2 | |
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The silent screen (1895-1928) / Scott Curtis -- Classical Hollywood (1928-1946) / Susan Ohmer -- Limited animation (1947-1989) / Kevin Sandler -- Independent animators and the artisanal mode (1947-1989) / Alla Gadassik -- The rise of computer-generated imagery (1965-1989) / Andrew Johnston -- Ubiquitous animation (1990-2016) / Bob Rehak. | |
| 520 | |a From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary computer imaging certainly blurs those lines, thereby confirming the importance of animation for the history of American cinema. The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation: the artisanal, solitary labors of early animators such as Winsor McCay, or of independent animators such as Mary Ellen Bute; the industrial assembly lines of Hollywood studio-unit animation; the parsimonious production houses of the post-studio, post-war era; the collaborative approach of boutique animation and special-effect houses. Drawing on archival sources, this volume provides not only an overview of American animation history, but also, by focusing on the relationship between production and style, a unique approach to understanding animation in general. | ||
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| 650 | 0 | |a Animation (Cinematography) |z United States |x History |y 20th century. | |
| 650 | 0 | |a Animation (Cinematography) |z United States |x History |y 21st century. | |
| 650 | 0 | |a Animation (Cinematography) | |
| 650 | 6 | |a Animation (Cinéma) |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Animation (Cinéma) |z États-Unis |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Animation (Cinéma) | |
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| 650 | 7 | |a animation (process) |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Animation. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
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| 700 | 1 | |a Curtis, Scott, |e editor. | |
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| 830 | 0 | |a Behind the silver screen (Series) ; |v 2. | |
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