Adventures in Shondaland : Identity Politics and the Power of Representation /

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey's Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, The Catch, For The People, and Station 19. Rhimes's wo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Abdi, Shadee, Ames, Melissa, Balderas, Leslie, Billinson, Jennifer, Calafell, Bernadette, Furgerson, Jessica L., Griffin, Rachel Alicia (Editor ), Harris, Tina, Ingram-Waters, Mary, Jones, Richard G., McAlister, Joan Faber, Meyer, Michaela D.E (Editor ), Orbe, Mark P., Petermon, Jade, Pham, Vincent, Swenson, Sean, Vajjala, Emily, Washington, Myra, Young, Stephanie
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, NJ : Rutgers University Press, [2018]
Temas:
Rhimes, Shonda > Criticism and interpretation.
Rhimes, Shonda
ShondaLand (Firm) > History.
Women television producers and directors > United States.
African American television producers and directors.
African American women screenwriters.
Television broadcasting > Social aspects > United States.
Producteurs et réalisateurs de télévision noirs américains.
Femmes scénaristes noires américaines.
Télévision > Aspect social > États-Unis.
PERFORMING ARTS / General.
African American television producers and directors
African American women screenwriters
Television broadcasting > Social aspects
Women television producers and directors
United States
Shondaland, Shonda Rhimes, diversity, television, melodrama, identity, culture, media, Shondaland Productions, intersectionality, marginalized, communication, journalism, identity politics, queer, race, ethnic, disability.
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • CONTENTS
  • Introduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century / Meyer, Michaela D. E. / Griffin, Rachel Alicia
  • Part I: Quality television's cultural dominance: the auteur comes to television studies
  • 1. Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland / Jones, Richard G. / Vajjala, Emily
  • 2. Wounded Detachments, Differential Alliances: Beyond Identity and Telos in Shondaland's Heterotopia / Mcalister, Joan Faber
  • 3. Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions / Furgerson, Jessica L.
  • 4. Soundtracking Shondaland: Televisual Identity Mapped through Music / Billinson, Jennifer / Meyer, Michaela D. E.
  • Part II: Shondaland's paradoxical identity politics and the fantastical "post"
  • 5. Race (Lost and Found) in Shondaland: The Rise of Multiculturalism in Prime-Time Network Television / Petermon, Jade
  • 6. Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy / Abdi, Shadee / Calafell, Bernadette Marie
  • 7. The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy / Young, Stephanie L. / Pham, Vincent
  • 8. Interracial Intimacies: From Shondaland to the Postracial Promised Land / Washington, Myra / Harris, Tina M.
  • Part III: Consumption, ethics, and morality: shondaland fandom as cultural meaning making
  • 9. #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to "The Lawn Chair" Episode / Orbe, Mark P.
  • 10. Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television / Ingram-Waters, Mary / Balderas, Leslie
  • 11. Media Criticism and Morality Policing on Twitter: Fan Responses to How to Get Away with Murder / Ames, Melissa
  • 12. Dying for the Next Episode: Living and Working within Shondaland's Medical Universe / Swenson, Sean
  • Notes on Contributors
  • Index

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