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|z (OCoLC)1274024370
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|a 791.4301/5
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Perez, Gilberto,
|d 1943-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJtRK4F74QCMqgryFG78md
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| 245 |
1 |
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|a The eloquent screen :
|b a rhetoric of film /
|c Gilberto Perez ; foreword by James Harvey.
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| 264 |
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|a Minneapolis :
|b University of Minnesota Press,
|c [2019]
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| 264 |
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|c ©2019
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 505 |
0 |
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|a Intro; Contents; Publishers's Note; Foreword; On Gil Perez; Preface; Introduction: John Ford's Rhetoric; Judge Priest's Rhetoric; Plato and Cicero; Rhetoric and Comedy; Will Rogers and Stepin Fetchit; Identification; Comedy and Hierarchy; Larger Than Life; The River and the Dance; Politics and Principle; Myth and Truth; Rhetoric of Genre; House of Miscegenation; Road to the Promised Land; I. Cinematic Tropes; Metonymy; Tropes and Figures; Metaphor; The Unraveled Underwear; The Broken Necklace; Metaphor and Metonymy; Synecdoche; The Hands, the Bootie, the Sandals; Faces; The Stolen Necklace
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| 505 |
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|a RosebudHavana Stories; The Dancing Women; The Guillotine; Freedom and Predestination; The Puncture and the Veil; The Train Whistles and the Hunk of Blue; Documentary, Repetition, Representation; The Village Church; The Revolutionary Battleship; Allegory and Extended Synecdoche; The Monster and the City; Steamboat Willie; Figura Futurorum; The Marriage of East and West; The Walls of Jericho; Technique as Metaphor; The Road of Life; The Striped Box; Surprise; The Slashed Eye and the Primal Scene; The Priest and the Pineapple; Irony and Realism; The Bridge and the Ballad; Dramatic Irony
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|a The Hurdanos and UsIronic Self-Effacement; Open Synecdoche and the Reality Effect; Hometown and War; God Bless America; The High of War; Reflexivity and Comedy; Modernist Parody; Folk Tale and Revolution; Each Scene for Itself; Black Sheep; Flowers; Melodrama and Film Technique; Between Tragedy and Comedy; From Theater to Film; Thinking and Feeling; The Close-up as Aria; Melodramatic Argumentation; Novelistic Characterization; The Reverse Angle; McTeague and Greed; Photographer; Music into Drama; Melodrama of the Spirited Woman; The Ambiguity of Stella Dallas; Moving with Characters
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|a Not ReconciledIn the Mood for Love; Tragic Narration; The Personified Camera; Jump Cuts; Crosscutting; Split Space, Unbroken Time; Displeasure; The Devil's Point of View; Allegorical Dimensions; The Garden of Eden; Melodrama and Comedy; Of Identification; Notions and Kinds of Identification; The Projectionist; Notes; Index
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| 504 |
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|a Includes bibliographical references and index.
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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|a Motion pictures
|x Philosophy.
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| 650 |
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|a Subjectivity in motion pictures.
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| 650 |
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|a Metaphor in motion pictures.
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| 650 |
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|a Motion picture plays
|x History and criticism.
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| 650 |
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6 |
|a Subjectivité au cinéma.
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| 650 |
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|a Métaphore au cinéma.
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| 650 |
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|a Scénarios de cinéma
|x Histoire et critique.
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| 650 |
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6 |
|a Cinéma
|x Philosophie.
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| 650 |
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|a PERFORMING ARTS
|x Screenplays.
|2 bisacsh
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| 650 |
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|a Metaphor in motion pictures
|2 fast
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| 650 |
|
7 |
|a Motion picture plays
|2 fast
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| 650 |
|
7 |
|a Motion pictures
|x Philosophy
|2 fast
|
| 650 |
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7 |
|a Subjectivity in motion pictures
|2 fast
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
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|i has work:
|a The eloquent screen (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFJCppTkmKjDjxmYKVbPgq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
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|i Print version:
|z 9780816641321
|z 0816641323
|w (DLC) 2018046160
|w (OCoLC)1055837485
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5904537
|z Texto completo
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