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Medievalism and Metal Music Studies : throwing down the gauntlet /

This edited collection investigates metal music's enduring fascination with the medieval period from a variety of critical perspectives, exploring how metal musicians and fans use the medieval period as a fount for creativity and critique.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Barratt-Peacock, Ruth (Editor ), Hagen, Ross (William Ross) (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: United Kingdom : Emerald Publishing Limited, 2019.
Colección:Emerald studies in metal music and culture.
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 0 0 |a Medievalism and Metal Music Studies :  |b throwing down the gauntlet /  |c edited by Ruth Barratt-Peacock, Ross Hagen. 
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588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 11, 2019) 
520 |a This edited collection investigates metal music's enduring fascination with the medieval period from a variety of critical perspectives, exploring how metal musicians and fans use the medieval period as a fount for creativity and critique. 
505 0 |a Foreword; Scott G. Bruce Introduction; Ruth Barratt-Peacock and Ross Hagen Section I: Metal's Medieval Frames Chapter 1. The Trans-Medial Fight for Glory; Johannes Hellrich, Christoph Rzymski, and Vitus Vestergaard Chapter 2. Medieval Media Transformations and Metal Album Covers; Vitus Vestergaard Chapter 3. Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetic; Eric Smialek Chapter 4. Computational Detection of Medieval References in Metal; Johannes Hellrich, and Christoph Rzymski Section II: Nationalism and Identity in Metal Medievalism Chapter 5. The Politics and Poetics of Metal's Medieval Pasts; Shamma Boyarin, Annika Christensen, Amaranta Saguar García, and Dean Swinford Chapter 6. The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile's "Iskander Dhul Kharnon"; Shamma Boyarin Chapter 7. The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal; Amaranta Saguar García Chapter 8. Making Heritage Metal: Faroese Kvæði and Viking Metal; Annika Christensen Chapter 9. Black Metal's Medieval King: The Apotheosis of Euronymous through Album Dedications; Dean Swinford Section III: Historical Source Materials in Metal Musics Chapter 10. Finding the Past in the Present and the Present in the Past; Ruth Barratt-Peacock, Ross Hagen, and Brenda S. Gardenour Walter Chapter 11. Obsequiae: Reconciling 'Authentic' Medieval Musical Styles with Metal; Ross Hagen Chapter 12. The Villon that Never Was; Ruth Barratt-Peacock Chapter 13. Satanic Bowels: Medieval Inversion and the Black Metal Grotesque; Brenda S. Gardenour Walter. 
504 |a Includes bibliographical references and index. 
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650 0 |a Heavy metal (Music)  |x Criticism and interpretation. 
650 0 |a Medievalism. 
650 6 |a Heavy metal (Musique)  |x Critique et interprétation. 
650 6 |a Médiévisme. 
650 7 |a Medieval Revival.  |2 aat 
650 7 |a Medievalism (cultural movement)  |2 aat 
650 7 |a Heavy Metal music.  |2 bicssc 
650 7 |a Music, Genres & Styles, Heavy Metal.  |2 bisacsh 
650 7 |a Heavy metal (Music)  |2 fast 
650 7 |a Medievalism  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Barratt-Peacock, Ruth,  |e editor. 
700 1 |a Hagen, Ross  |q (William Ross),  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjvxqJGdYHBBBdxJw8HVFq 
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776 0 8 |i Print version:  |t Medievalism and Metal Music Studies.  |d United Kingdom : Emerald Publishing Limited, 2019  |w (DLC) 2019563678 
830 0 |a Emerald studies in metal music and culture. 
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