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Thinking Bodies - Shaping Hands : Handeling in Art and Theory of the Late Rembrandtists.

"Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the N...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hadjinicolaou, Yannis
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : BRILL, 2019.
Colección:Issn Ser.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hadjinicolaou, Yannis. 
245 1 0 |a Thinking Bodies - Shaping Hands :  |b Handeling in Art and Theory of the Late Rembrandtists. 
260 |a Boston :  |b BRILL,  |c 2019. 
300 |a 1 online resource (377 pages) 
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505 0 |a Intro; Contents; Acknowledgements; Figures; Introduction; Chapter 1 Between Formal and Stylistic Diversity -- Handeling in the Art of the Late Rembrandtists; Handeling: a Historical Account of the Term; Formal Diversity; Stylistic Diversity; Chapter 2 Primacy of the Hand; The Thinking Hand; 'Artisan' by Conviction; Handeling as Habitus; Chapter 3 Art Materials; Paint as Plastic Material; Paint as Impasto Relief; Natural and Artificial Processes of Materials; Chapter 4 Facets of Handling the Paint; The Unfinished as a Principle; Playing with Accident; Contradictory Dynamism 
505 8 |a Chapter 5 The Iconicity of ActionMotion; Action; Between Empathy and Distance -- Exciting Emotions by Corporeal Techniques; Chapter 6 Proximity and Distance; From the Amorphous to the Manifestation of Form; The Relationship between Haptics and Optics; The Dissolution of the Opposite Poles of Proximity and Distance; Epilogue; Notes; Bibliography; Index of Names 
520 |a "Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt's last pupils such as Arent de Gelder. "Handeling" describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term "style", as with a prior step, which is equivalent to "manner". At the same time, its meaning in Dutch till today is "action". "Handeling" is an act that could be described as a "form-act". It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the "Rembrandtist ideology of painting", this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice"--  |c Provided by publisher. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Painting, Dutch  |y 17th century. 
650 0 |a Brushwork. 
650 0 |a Color in art. 
650 0 |a Painting  |x Philosophy. 
650 6 |a Touche (Peinture) 
650 6 |a Couleur dans l'art. 
650 6 |a Peinture  |x Philosophie. 
650 7 |a brushwork.  |2 aat 
650 7 |a Brushwork  |2 fast 
650 7 |a Color in art  |2 fast 
650 7 |a Painting, Dutch  |2 fast 
650 7 |a Painting  |x Philosophy  |2 fast 
648 7 |a 1600-1699  |2 fast 
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776 0 8 |i Print version:  |a Hadjinicolaou, Yannis.  |t Thinking Bodies - Shaping Hands : Handeling in Art and Theory of the Late Rembrandtists.  |d Boston : BRILL, ©2019  |z 9789004353848 
830 0 |a Issn Ser. 
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