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Music, Value and the Passions /

For a century there has been a divergence between what music theorists say music is about and what the ordinary listener actually experiences. Music theory has insisted on a separation of musical experience from the experience of emotions, from the passions. Yet a passionate experience of music is j...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ridley, Aaron (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, NY : Cornell University Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ridley, Aaron,  |e author. 
245 1 0 |a Music, Value and the Passions /  |c Aaron Ridley. 
264 1 |a Ithaca, NY :  |b Cornell University Press,  |c [2019] 
264 4 |c ©1995 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --  |t Contents --  |t Preface --  |t Introduction --  |t 1. Music And The Passions --  |t 2. Value And The Passions --  |t 3. Understanding Music --  |t 4. Musical Melisma --  |t 5. Melisma Assessed --  |t 6. Musical Sympathies --  |t 7. Distressing Music --  |t 8. Musical Empathies --  |t Conclusion --  |t Index 
520 |a For a century there has been a divergence between what music theorists say music is about and what the ordinary listener actually experiences. Music theory has insisted on a separation of musical experience from the experience of emotions, from the passions. Yet a passionate experience of music is just what most ordinary listeners have. Charting a new course through the minefield of contemporary philosophy of music, Aaron Ridley provides a coherent defense of the ordinary listener's beliefs. Focusing on instrumental music in the classical Western canon, Ridley defends the commonsense position on music and attempts to return the experience of music to the ordinary listener. He argues that, through a sympathetic experience of certain musical gestures, the listener is able to grasp the passions of which the music is expressive. If the passions are properly understood, he contends, there is a place for passion in a philosophical understanding of music. Similarly, the expression of passion may properly be considered part of the value of the music we hear. 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019). 
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650 0 |a Emotions in music. 
650 0 |a Music  |x Philosophy and aesthetics. 
650 6 |a Musique  |x Philosophie et esthétique. 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a Emotions in music  |2 fast 
650 7 |a Music  |x Philosophy and aesthetics  |2 fast 
650 7 |a Musikästhetik  |2 gnd 
650 7 |a Musikphilosophie  |2 gnd 
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