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|a UAMI
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1 |
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|a Broude, Norma.
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|a Impressionism :
|b the Gendering of Art, Science, and Nature in the Nineteenth Century.
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| 260 |
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|a Milton :
|b Routledge,
|c 2019.
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| 300 |
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|a 1 online resource (193 pages)
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|a text
|b txt
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|a Cover; Half Title; Title; Copyright; Contents; PREFACE; INTRODUCTION. On Impressionism and the Binary Patterns of Art History; PART I Impressionism and Romanticism; CHAPTER 1. Thematic Continuities; CHAPTER 2. Effect and Emotion in Romantic and Impressionist Painting; CHAPTER 3. Effect and Finish: The Evolution of the Impressionist Style; PART II Impressionism and Science; CHAPTER 4. ""Romantic"" versus ""Normal Science"" in the Eighteenth and Nineteenth Centuries; CHAPTER 5. Science and the Arts
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| 505 |
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|a CHAPTER 6. The Optical as a Path to the Personal: The Writings of Duranty, Martelli, and LaforguePART III The Gendering of Impressionism; CHAPTER 7. The Gendering of Art, Science, and Nature in the Nineteenth Century; CHAPTER 8. Impressionism and Symbolism; CHAPTER 9. The Republican Defence of Science and the Regendering of Impressionism; CHAPTER 10. Impressionism and Modernism; NOTES; INDEX
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Impressionism (Art)
|z France.
|
| 650 |
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6 |
|a Impressionnisme (Art)
|z France.
|
| 758 |
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|i has work:
|a Impressionism (Text)
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|i Print version:
|a Broude, Norma.
|t Impressionism: a Feminist Reading.
|d Milton : Routledge, ©2019
|z 9780367002817
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5852212
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