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Our very own adventure : towards a poetics of the short story /

Our Very Own Adventure demonstrates the main convention of the short story--specifically the heightened reader response that Carolyne Lee terms 'narratorial presence'. The intensity of the short story encourages readers to appropriate the fictive world, as rendered through one or more repr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lee, Carolyne, 1953-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Carlton, Vic. : Melbourne University Publishing, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lee, Carolyne,  |d 1953-  |1 https://id.oclc.org/worldcat/entity/E39PCjJbrD7jQXgmKdBGth4d6X 
245 1 0 |a Our very own adventure :  |b towards a poetics of the short story /  |c Carolyne Lee. 
264 1 |a Carlton, Vic. :  |b Melbourne University Publishing,  |c 2011. 
264 4 |c ©2011 
300 |a 1 online resource (217 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction: A Rare Brand of Intimacy; 1. The Aesthetics of Brevity; 2. Complex Rhetorical Manoeuvres: The Narration of Framed Stories; 3. I Experience Therefore I Narrate: Stories Told by Narrating and/or Experiencing I Characters; 4. Like Listening to a Soliloquy: The Narration of Monologues, Diaries and You-voice Stories; 5. The Narrator in Camouflage: The Narration of Reflectorized 'Third-person' Stories with Figural Characters; 6. From Effacement to Personalisation: Third-person Stories Told by External or Authorial Narrators 
504 |a Includes bibliographical references and index. 
520 |a Our Very Own Adventure demonstrates the main convention of the short story--specifically the heightened reader response that Carolyne Lee terms 'narratorial presence'. The intensity of the short story encourages readers to appropriate the fictive world, as rendered through one or more represented subjectivities in the narrative. Lee argues that this narratorial presence is the enabling effect of the tale's telling. Each chapter examines a group of stories (by authors such as William Faulkner, James Joyce, Charlotte Perkins Gilman, Ray Bradbury and Alice Munro) that share basic similarities, but where the narratorial presence differs due to differing techniques. Our Very Own Adventure reveals just how a story yields its meanings to a reader. 
588 0 |a Online resource; title from digital title page (viewed on July 10, 2019). 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Short story  |x Technique. 
650 0 |a Fiction  |x Technique. 
650 0 |a Authorship  |v Handbooks, manuals, etc. 
650 6 |a Nouvelle  |x Technique. 
650 6 |a Art d'écrire  |v Guides, manuels, etc. 
650 7 |a Authorship  |2 fast 
650 7 |a Fiction  |x Technique  |2 fast 
650 7 |a Short story  |x Technique  |2 fast 
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655 7 |a handbooks.  |2 aat 
655 7 |a Handbooks and manuals  |2 fast 
655 7 |a Handbooks and manuals.  |2 lcgft 
655 7 |a Guides et manuels.  |2 rvmgf 
758 |i has work:  |a Our very own adventure (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGc69xvXwJmfwMXPVFkbV3  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Lee, Carolyne.  |t Our Very Own Adventure.  |d Melbourne : Melbourne University Publishing, ©2011  |z 9780522858679 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5751732  |z Texto completo 
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