Cargando…
Augmented Reality : Innovative Perspectives Across Art, Industry, and Academia.
Augmented Reality: Innovative Perspectives Across Art, Industry, and Academia includes a mix of critical/theoretical essays from humanities scholars, augmented reality (AR) artwork (with accompanying reflections) by leading digital artists, and interviews with AR software developers and other indust...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
La Vergne :
Parlor Press, LLC,
2016.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1096521085 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 190413s2016 xx o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d REDDC |d OCLCO |d OCLCL | ||
| 020 | |a 9781602355583 | ||
| 020 | |a 1602355584 | ||
| 035 | |a (OCoLC)1096521085 | ||
| 050 | 4 | |a NX180.T4 |b .A946 2017 | |
| 082 | 0 | 4 | |a 700/.456 |q OCoLC |2 23/eng/20230216 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Morey, Sean. | |
| 245 | 1 | 0 | |a Augmented Reality : |b Innovative Perspectives Across Art, Industry, and Academia. |
| 260 | |a La Vergne : |b Parlor Press, LLC, |c 2016. | ||
| 300 | |a 1 online resource (368 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Front cover; Frontispiece; How to Use This Book; Title page; Copyright page; Contents; Acknowledgments; 1 Introduction: A Medium in the Making; Sean Morey and John Tinnell; Part 1: Scholarly Articles; 2 Designing, Arranging, and Assessing Augmented Places through Mobile Media Alignment; Brett Oppegaard; 3 Potential Panels: Toward a Theory of Augmented Comics; Jason Helms; 4 "Sergey Brin Is Batman": Google Glass and the Rhetoric of Adoption in Popular Networked Culture; Isabel Pedersen and Douglas Trueman; 5 Life through the Screen: Location-Based Information and the Personalization of Space | |
| 505 | 8 | |a Jordan Frith6 "Augpunk": Imagining Alternative Futures for Augmented Reality through Science Fiction; Joseph P. Weakland; 7 Gathering Memories with Augmented Reality; Jason Kalin; 8 The Dream Deferred: Augmented Reality as Rhetorical Realism; Scot Barnett; 9 SAZoo-AR, Ethea, and Computer Vision; Steve Holmes; 10 When Geolocation Meets Visualization; Jason Farman; Part 2: Interviews; Interview 1: Sidney I. Dobrin; Interview 2: Blair MacIntyre; Interview 3: Christine Perey; Interview 4: Jay Wright; Interview 5: Maarten Lens-Fitzgerald; Interview 6: BC Biermann; Part 3: Artwork; BC Biermann | |
| 505 | 8 | |a Augmented Architecture [NYC + LA, 2012]Bowery Wall [NYC, 2012]; Wynwood Walls @ Art Basel [Miami, 2012]; Tamiko Thiel; Shades of Absence [Venice, Istanbul, Brooklyn, Los Angeles, 2011]; Clouding Green [Singapore, 2012-2013]; Reign of Gold [NYC, Berlin, Los Angeles, Sydney, Tampa, 2012]; Jasmine Rain (Birdcage) [Cairo, Tunis, Beijing, Boston, NYC, 2011]; Carnation Rain [Lisbon, 2011]; Conor McGarrigle; NAMAland [Dublin, 2010-2012]; Walking Stories [Dundrum, 2011]; Vineland [2013]; Where's Franco? [VENICE, 2011]; John Craig Freeman; Orators, Rostrums, and Propaganda Stands [2012-2013] | |
| 505 | 8 | |a Flotsam & Jetsam [Singapore, Massachusetts, 2013]EEG AR: Things We Have Lost [Liverpool, 2013]; Border Memorial: Frontera De Los Muertos [Arizona, 2012]; Water wARs [Venice Biennial and Brooklyn, 2011]; Tiananmen SquARed (Attributed to) 4 Gentlemen [Beijing, 2010]; Peace Doors [Belfast, 2010]; Bryan Leister; Goldman Sachs (Giant Blood Sucking Vampire Squid) [Denver, 2012]; Mood Analyticator [Denver, 2012]; Mark Skwarek; #arOCCUPYWALLSTREET [NYC, 2011]; The Bottomless Pit [Zero1 Biennial, 2012]; erasAR [USA, 2010]; Notes; Bibliography; Contributors; Index; Back cover | |
| 520 | |a Augmented Reality: Innovative Perspectives Across Art, Industry, and Academia includes a mix of critical/theoretical essays from humanities scholars, augmented reality (AR) artwork (with accompanying reflections) by leading digital artists, and interviews with AR software developers and other industry insiders. Augmented Reality is used in the design of the printed book, effectively linking appropriate pages to relevant digital materials on the Web or physical spaces. Contributors bring critical reflection and artistic ingenuity into conversation with current design thinking and project develo. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Technology and the arts. | |
| 650 | 0 | |a Augmented reality art. | |
| 650 | 6 | |a Technologie et arts. | |
| 700 | 1 | |a Tinnell, John. | |
| 758 | |i has work: |a Augmented reality (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGVfMqD8bbrH8tqwhVDyVC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Morey, Sean. |t Augmented Reality : Innovative Perspectives Across Art, Industry, and Academia. |d La Vergne : Parlor Press, LLC, ©2016 |z 9781602355569 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5744092 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5744092 | ||
| 994 | |a 92 |b IZTAP | ||