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190330s2018 mau o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d LOA
|d OCLCF
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9789004353787
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|a 900435378X
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|a (OCoLC)1090996885
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|a ND1471
|b .L464 2018
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|a 709.2
|2 23
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|a UAMI
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|a Farago, Claire.
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|a The Fabrication of Leonardo Da Vinci's Trattato Della Pittura :
|b With a Scholarly Edition of the Italian Editio Princeps (1651) and an Annotated English Translation.
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|a Boston :
|b BRILL,
|c 2018.
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|a 1 online resource (1371 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Brill's Studies on Art, Art History, and Intellectual History Ser.
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|a Print version record.
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|a Intro; Contents; Foreword; Preface; A Note to the Reader; Acknowledgments; List of Contributors; List of Illustrations; Manuscript Abbreviations; Frequently Cited Sources; Introduction: Defining a Historical Approach to Leonardo's Trattato della pittura; On the Sponsorship of Prints; The Dedication to Queen Christina of Sweden; What Happened before 1640?; How Did the Trattato Project Originate?; Zaccolini's Contribution to Dal Pozzo's Project; When the Project Moved to France in 1640; The Trattato and the Académie royale; Production Values in the Printed Editions of 1651
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|a The Broad Political PictureThe Trattato at the French Academy in 1651; Milan; Chapter 1 Before the Trattato: Philological Notes on the Libro di pittura in the Codex Urbinas 1270; Chapter 2 Leonardo's Workshop Procedures and the Trattato della pittura; Introduction; Part One: The Optics of Painting in Leonardo's Workshop and the Trattato; Theory in the Workshop; The Evidence in the Virgin of the Rocks; Text-Based Collaboration in the Workshop; From Workshop to the Trattato della pittura; Part Two: The Training of the Artist and the Trattato; The Libro di pittura as a Modern Workshop Manual
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|a The Humanist Legacy of Artisanal EpistemologiesThe Seventeenth-Century Legacy and Beyond; The Purpose of Illusion in Sacred Painting; Part Three: The Mechanics of Human Movement in the Trattato; The Passages on Human Movement; Publishing in the Tridentine Era; Melzi's Role in Milan and Aristocratic Pleasures; The Organization of the Abridged Libro di pittura; Artisanal Epistemology and the Education of Artists; Anatomical Studies in the Later Sixteenth Century; Art Schools in Post-Tridentine Times; Drawing Manuals and the Reform of Artistic Education
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|a Federico Zuccaro's Opinion of Leonardo's Treatise on PaintingChapter 3 Leonardo's Lost Book on Painting and Human Movements; Carlo Urbino's Regole del disegno; Regole, Books 1-3; Regole, Books 4-5; Appendix; Urbino; Chapter 4 On the Origins of the Trattato and the Earliest Reception of the Libro di pittura; When Did the Abridgment Take Place?; The Duke of Urbino and His Library; The Duke's Ties with the Caracciolini; The Duke's Library as a Setting for the Libro di pittura; Who Wanted to Publish the Treatise on Painting?; What Does It Mean for Art to Be "Artless"?
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|a The Manuscript Evidence in Historical ContextThe Abridged Text: What was Retained; The Abridged Libro di pittura as a Catholic Reformation Text; Florence; Chapter 5 The Earliest Abridged Copies of the Libro di pittura in Florence; The Reception of Leonardo's Writings ca. 1570-1580; MSS in Florentine Libraries; The Critical Variants in Four Florentine Copies; The Illustrations of the Florentine Copies; Conclusions; Rome to Paris; Chapter 6 Seventeenth-Century Transformations: Cassiano dal Pozzo's Manuscript Copy of the Abridged Libro di pittura; The Roman Context
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|a The Abridged Libro Text in Rome: Sources and Search for Accuracy
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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0 |
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|a Leonardo,
|c da Vinci,
|d 1452-1519.
|t Trattato della pittura.
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630 |
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|a Trattato della pittura (Leonardo, da Vinci)
|2 fast
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|a Painting
|x Technique
|v Early works to 1800.
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|a Painting
|x Technique
|2 fast
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|a Early works
|2 fast
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1 |
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|a Bell, Janis.
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700 |
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|a Vecce, Carlo.
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|i has work:
|a The fabrication of Leonardo da Vinci's Trattato della pittura (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFTFGcXv97vrpM3VDFFmbb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a Farago, Claire.
|t Fabrication of Leonardo Da Vinci's Trattato Della Pittura : With a Scholarly Edition of the Italian Editio Princeps (1651) and an Annotated English Translation.
|d Boston : BRILL, ©2018
|z 9789004353756
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830 |
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0 |
|a Brill's Studies on Art, Art History, and Intellectual History Ser.
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5740162
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5740162
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994 |
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|a 92
|b IZTAP
|